För Att Inte Tala Om Alla Dessa Kvinnor (All These Women) (Now About These Women)

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Total Count: 9


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Movie Info

What is so rare, and cherishable, as an Ingmar Bergman comedy? All These Women concerns the sexual misadventures of cello-playing Jarl Kulle. Amidst his many romantic pursuits, the egotistical Kulle endeavors to get his life story published, "bribing" a writer by agreeing to perform the latter's musical compositions. Bergman regulars Eva Dahlbeck, Harriet Andersson and Bibi Andersson costar in All These Women, while the screenplay was cowritten by another stalwart member of the director's stock company, Erland Josephson. Originally titled For Att Inte Talla om alla dessa Kvindor, All These Women is better known in English-speaking countries as Now About All These Women. ~ Hal Erickson, Rovi


Carl Billquist
as Young Man
Harriet Andersson
as Isolde Felix's chambermaid
Jarl Kulle
as Cornelius
Eva Dahlbeck
as Adelaide Felix's wife
Karin Kavli
as Madame Tussaud
Gertrud Fridh
as Traviata
Mona Malm
as Cecilia
Allan Edwall
as Jillker Felix's impresario
Jan Blomberg
as English Radio Announcer
Göran Graffman
as French Radio Announcer
Ulf Johansson
as Man in black
Axel Duberg
as Man in black
Gösta Prüzelius
as Swedish radio reporter
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Critic Reviews for För Att Inte Tala Om Alla Dessa Kvinnor (All These Women) (Now About These Women)

All Critics (9) | Top Critics (2) | Fresh (3) | Rotten (6)

Audience Reviews for För Att Inte Tala Om Alla Dessa Kvinnor (All These Women) (Now About These Women)

  • Jan 07, 2018
    A pretty bad miss from Bergman. It's somewhat interesting to see him try his hand at a goofy comedy that doesn't take itself seriously and pokes at fame self-referentially, but he fails miserably. Said to be a parody of Fellini's 8 1/2, the film may remind you more of the early Woody Allen films to come, with zany music jazzing up scenes in fast motion, attempts at slapstick, and actors breaking the fourth wall. Unfortunately, it's awkward and not funny in the slightest. The film is also rather ugly, with simple sets, fading color, and 'bawdy' scenes shot so poorly they're unappealing. You can read allegory into the artist who gets lost amidst everything surrounding him, as indeed we never see the face of the master cellist. Instead we see his mansion and all of the zaniness that takes place in it, the women who surround him and fight over him, and a critic who wishes to write his biography and pressures him to use his arrangements. The critic warms him that one day he will be forgotten, as another will come along. That's the main point of this farce, but it's too buried in silliness. I revere Bergman but have to call this for what it is, awful. If you want to watch a 'lighter' Bergman movie, I would recommend "A Lesson in Love" (1954) instead, which was excellent.
    Antonius B Super Reviewer
  • Jun 15, 2015
    Those who need to believe Ingmar Bergman was an irreproachable genius are advised to skip this horrifying turkey. A misfired sex farce, "All These Women" begins with the funeral of renowned cellist "Felix," then flashbacks to follow a prissy, pretentious music critic (portrayed in insufferably hammy fashion) who is staying at Felix's elegant estate. He's supposed to be preparing a biography, but he can't assemble his desired "personal details" because Felix avoids ever meeting him. Instead the reclusive musician's staff and multiple lovers (who also live in the mansion) just tease and distract the poor fool. The humor is as broad as anything found in Mel Brooks and early Woody Allen, with the antics including crossdressing, silly gun chases, title cards, smirking looks into the camera and incessant abuse of "Yes, We Have No Bananas," and the only positive is Bibi Andersson's girlish beauty. And anyway, it's hard to enjoy a comedy that's so obviously built on a sour grudge against professional critics. "All These Women" was Bergman's first color work, but the existing print looks washed out and is full of ugly green streaks and spots. For completists only!
    Eric B Super Reviewer
  • Dec 13, 2009
    t's taken a few goes, but I have finally discovered that I can dislike a Bergman film. Perhaps Swedish humour shares some characteristics with Danish humour which tends to leave me cold and perplexed. Several years on, I still cannot get the cheesy, syncopated version of "Yes, We Have No Bananas" out of my head. The cast try their best but the material is beyond redemption. in fact, this cast does not include the best Bergman people anyhow. This film simply is not at all funny nor is it interesting once you get 10 minutes in. It is merely irritating. This film is a lemon.
    Cassandra M Super Reviewer
  • Jul 01, 2008
    Some were disappointed by Bergman directing a wacky comedy. I guess they expected him to just do the same thing over and over again, but then he wouldn't be Bergman. No deep messages, but quite a few laughs. My favorite gag: a dance as a symbolic sexually encounter. Well worth seeing.
    Anthony V Super Reviewer

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