For Whom the Bell Tolls (1943)

TOMATOMETER

——

AUDIENCE SCORE

Critic Consensus: No consensus yet.

For Whom the Bell Tolls Videos

For Whom the Bell Tolls Photos

Movie Info

Based on the novel by Ernest Hemingway, this romantic drama is set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a bridge in order to halt the enemy's progress.
Rating:
G
Genre:
Action & Adventure , Classics , Drama , Romance
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
MCA Universal Home Video

Cast

Gary Cooper
as Robert Jordan
Eric Feldary
as Andres
Victor Varconi
as Primitivo
Joseph Calleia
as El Sordo
Lilo Yarson
as Joaquin
Leonid Snegoff
as Ignacio
Leo Bulgakov
as Gen. Golz
Duncan Renaldo
as Lt. Berrendo
Frank Puglia
as Capt. Gamez
Pedro de Cordoba
as Col. Miranda/Don Frederico Gonzales
Michael Visaroff
as Staff Officer
Jack Mylong
as Col. Duval
Jean Del Val
as Sniper
John Mylong
as Col. Duval
Mayo Newhall
as Don Richardo
Michael Dalmatoff
as Don Benito Garcia
Antonio Vidal Molina
as Don Guillermo
Robert Tafur
as Don Faustino Rivero
Armand Roland
as Julian
Luis Roja
as Drunkard
Trina Varela
as Spanish Singer
Dick Botiller
as Sergeant
Soledad Jiminez
as Don Guillermo's Wife
Yakima Canutt
as Young Cavalry Man
Tito Renaldo
as 1st Sentry
Franco Corsaro
as Elias' Man
Frank Lackteen
as Elias' Man
George Sorel
as Bored Sentry
John Bleifer
as Peasant Who Flails Gonzalez
Harry Cording
as Man Who Flails the Mayor
Alberto Morin
as Soldier
Pedro Regas
as Soldier
Manuel Paris
as Officer of Civil Guards
Jose Luis Tortosa
as Civil Guard
Ernesto Morelli
as Civil Guard
Manuel López
as Civil Guard
Maxine Ardell
as Girls in Cafe
Marjorie Deanne
as Girls in Cafe
Alice Kirby
as Girls in Cafe
Marcella Phillips
as Girls in Cafe
Lynda Grey
as Girls in Cafe
Christopher King
as Girls in Cafe
Louise La Planche
as Girls in Cafe
Louise LaPlanche
as Cafe Girl
Victor Laplace
as Girls in Cafe
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Critic Reviews for For Whom the Bell Tolls

All Critics (13)

No excerpt available.

Full Review… | January 25, 2006
Time Out
Top Critic

No excerpt available.

Full Review… | May 20, 2003
New York Times
Top Critic

The rhythm of this film, in fact, is the most defective I have ever seen in a superproduction.

Full Review… | September 14, 2012
The Nation

Not horrible, but if you really want to know this story, don't bother with the movie at all. Go out and read the book.

Full Review… | March 23, 2009
Three Movie Buffs

Though diffuse and overlong, and its politics vague, the film's star performances of Ingrid Bergman and Gary Cooper are appealing; Hemingway wrote the novel with Coop in mind.

Full Review… | February 5, 2008
EmanuelLevy.Com

No excerpt available.

May 31, 2005
International Press Academy

Audience Reviews for For Whom the Bell Tolls

Papa picked Coop and Bergman particularly to play his leads (no doubt as swept by Hollywood charisma as anyone) in his tale of an American abroad fighting for his beliefs. Its a good story, like Papa a bit in love with itself, and magnificent simply for the fact that Coop theoretically's the only Anglo around (there ain't many like that). The character player cast all shine. I loved this.

Kevin M. Williams
Kevin M. Williams

Super Reviewer

During the Spanish Civil War, an American mercenary works with a local group of fighters to blow up a bridge. I've written before that if there's a heaven, it must involve being loved by Natalie Wood. There's no reason not to add Ingrid Bergman to that list. Can you imagine both of them? It's hard enough to get one. Bergman and Gary Cooper maximize the small amount of time the story dedicates to their love affair, and they make what seems convenient believable. In typical Hemingway fashion, the story is about manhood and war but also love. And the group of people Cooper's character encounters are all round, interesting characters with complex backstories and intentions. Nobody is villainized, but it's nonetheless clear whom Hemingway respects. Cooper, whose reserved performance in Pride of the Yankees can't be underestimated, was, I thought, too reserved in this film, especially at the end. I think the film needed an emotional explosion, a last gasp for hope and love in spite of the degradation that surrounded him. Overall, this is a Hemingway story, so you know it's good, and the three hours goes by quickly.

Jim Hunter
Jim Hunter

Super Reviewer

Some solid performances can't compensate for the extreme overlength of this. An hour's editing could have made this a fine film but it just goes on and on, plus Cooper and Ingrid while individually fine have little chemistry.

jay nixon
jay nixon

Super Reviewer

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