Frances Ha Reviews
Con una encantadora Greta Gerwig y un genial reparto, Frances Ha es un gran exponente del cine juvenil, logrado gracias a una refinada dirección de Noah Baumbach.
Aside from that I couldn't follow the story line because it was all over the place. It was honestly one of the stupidest movies I have ever watched.
I hope they have a better time next time around. It did have pretty good potential!
A journey of a 27 year old girl in her social and professional life resembles too much with practicality that you cringe yourself in the seat as she goes through each and every ups and downs which just represents how amazing of work has Noah did on paper and on screen.
Brimming with witty banter and artful B&W cinematography. A Hipster roller coaster ride filled with tender heartbreaks, bitter sweet self-indulgence, and a modicum of redemption. Best appreciated in a double bill preceding Mistress America.
This B&W is an appropriately paced ride through the life of a New York post-grad trying to make something of her education. Just when the situation is at its worst and is falling apart, this film turns on us and makes us laugh. NY residents may get more out of this film. The film uses address placards to show where Frances is living at any given moment. As a non-New Yorker I really have no idea of any implications, whether cultural or economic, of the significance of these areas.
Frances herself comes off as ephemeral, and as much as she loves dance, she lacks the grace of her contemporaries. It's not a total loss for her, as she's a trained choreographer who, for a reason we never learn, has taken a break from creating routines. She has charm, but her total immaturity makes most of her conversations come off as embarrassing, unsuitably youthful, and inappropriately dissociative. I suppose that qualifies her as a Creative. Her immaturity, however, seems to be due to her ephemeral place in the world, and she does eventually mature after taking on more immersive responsibility. The title character is such a central focus, the rest of the film seems to go on as normal life is supposed to, with the rest of the characters functioning as a developmental juxtaposition to Frances, rather than fully formed characters of their own.
I don't usually watch films like this, so I can't really compare it to anything similar.
As itself, though, it has its moments, and during her social stumbles and decision-making falls, I hoped she was learning from her mistakes to better ease herself into adulthood. That was enough to leave me with a positive impression.