The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Moviemakers who exploit the suffering and death of children to ratchet up the dramatic stakes belong in the innermost circle of hell, but Freedomland -- clumsy and overwrought as it is -- earns the right to its harrowing trajectory.
Freedomland is so well-acted, so poignantly written, that you can almost forget its excesses and shortcomings and embrace it for what it is -- a serious writer's exploration of racism, cop mob mentality and the mechanics of guilt.
The complication in Freedomland arises out of Brenda's hysteria, which is so extreme that we doubt her story even before we've bought into it, and from the movie's dogged, booby-trapped demonstration of the sins of racism.
Even with an ideal cast and a script by Price himself, Roth lacks the sensibility to capture the subtle tensions between the black residents of a tenement project and the working-class whites in a neighboring city.
Freedomland, written by Richard Price from his novel of the same name, directed by Joe Roth and produced by Scott Rudin, purports to be a social study of racial tensions straining under the weight of a highly publicized, hot-button tragedy.
Roth takes three powerhouse actors -- Julianne Moore as the mother, Samuel L. Jackson as the cop who interrogates her and Edie Falco as another woman who lost her son -- and reduces their talents to rubble and their characters to screeching cliches.
A monumentally overwrought story of child endangerment, racial antagonism, mob violence and police brutality, it provides some of our finest actors the opportunity to behave like bug-eyed, tinfoil-hat-wearing loonies.