The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Glibly shocking, it would like you to think it deals with the hard realities of urban life, but in fact it uses its patina of social consciousness as a come-on for the most conventional kind of violent commercial filmmaking.
The strength of the piece is that it realises which aspects of its genre have been seen too many times, always coming back to Nelson's blank but expressive stare as he watches terrible things the director doesn't need to shove in our faces.
Sean Nelson is a quiet revelation as the title character, a child who actively participates in what he regards as the only game in town, yet consistently demonstrates more caution and smarts than his friends or relatives.
An unpredictable and harrowing story that works on the surface as an unconventional thriller (an intricate plot) and underneath as a powerful story of love, sacrifice, willpower and the dehumanizing cost of violence and revenge.
Though its morality may be controversial, the film, an impressive debut from Boaz Yakin, deserves credit for introducing a new type of protagonist, a ghetto teenager willing to do everything and anything to escape his lot.