The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
As a non-fan of the Ian Fleming super spy and a moderate admirer of such films as Moonraker, I find that the essential point of enjoyment to be the films' very flaws: the admiration of their kitsch factor.
The pace fast and furious and the invention, I suppose, inventive in the sense that a new nonsense always follows hard on the heels of an old nonsense and blow follows blow in crunching virtuosity of method.
The success of Dr. No has no doubt given the James Bond team added confidence, if that was necessary, and From Russia with Love is made by people who clearly know that they now have a gilt-edged formula to play with.
The narrative is plodding, time has not been kind to set-pieces that were once so thrilling and now seem oddly perfunctory, and 007's misogyny and casual slapping of several women is more than faintly repellent.
It's not too different from the non-Bond action thrillers of the same era, in which company it falls well short of the top film, North by Northwest. Plenty of period charm, though, and a few of the Bond franchise's most Austin Powers-esque moments.