The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's hard to say whether the world of Frozen will compare with Disney's other long-celebrated fairy tales as the years roll on, but for this season, parents and children will probably be happy to add the new film to their resumes.
The songs aren't good enough to stick in your head and the characters aren't good enough to be iconic, but Frozen is pleasant enough. May it have a long life on ABC Family, clogging up your weekend TV holiday schedule for years to come.
Frozen is a transitional step from movies like the nightmarishly retrograde Little Mermaid, to films that won't need to explicitly tell little girls that true love doesn't have to involve marrying a prince or being rescued.
'Frozen' feels like it's breaking new ground in telling a story where the women are actually in control, and where the clichés of their narratives are turned inside out, almost as a sly commentary on what has come before.
The computer animation of the characters is expressive and detailed (we even notice the freckles on the shoulder of the heroine) while the film-makers work wonders with glacial landscapes in a land of "eternal winter."
Hans Christian Andersen's The Snow Queen is the loose inspiration for Frozen, a celebration of family and the bond of sisterhood set against a beguiling snowbound backdrop. And like Tangled before it, Frozen has all the hallmarks of an instant classic.