The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Nostalgic, deeply felt, and refreshingly astute, "Fugitive Pieces" is something of a rare bird these days%u2014a big-budget, transnational historical drama that actually justifies its scope and subject matter with more than visual opulence.
Fugitive Pieces is often quiet, lyrical, reflective and underplayed. It doesn't minimize Holocaust suffering--far from it--but it strives, often successfully, to unearth the innate good in people Anne Frank alluded to so eloquently.
The cast is uniformly attractive and earnest. But the romanticized image of the tortured artist is the stuff of stereotype unless it's leavened with humor, or limned in art. In Fugitive Pieces, neither element appears in sufficient quantity.
Though much of the film's power is tamped down by the passive storytelling style, Dillane's performance as the adult Jakob is compelling, and Ayelet Zurer is beguiling as Jakob's late-in-life soul mate.
The strengths of Fugitive Pieces are its fluidity and subtlety. Emotional repression may be one of the most difficult conditions to portray honestly, and Dillane's performance of Jakob is a study in the art of creating sympathy by not asking for it.