Fur: An Imaginary Portrait of Diane Arbus Reviews

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December 29, 2006
Stilted, stylized and art-directed within an inch of its life, Shainberg's movie (which was written by his Secretary collaborator, Erin Cressida Wilson) manages to be both oppressively literal and fatefully fuzzy at the same time.
December 29, 2006
Don't be fooled for a second by that subtitle. Fur bills itself as An Imaginary Portrait of Diane Arbus, but this thing's got all the imagination of a career bureaucrat slumped in his cubicle awaiting a pension.
December 1, 2006
Shainberg neither sugarcoats [Diane Arbus's] distance from her girls nor judges it. The filmmakers understand Arbus's story within the context of her time and upbringing.
December 1, 2006
The world created by Shainberg never seems strange or real enough to convince us that we're getting the goods on anything. Put another way, this imaginary portrait might have done better had it stuck closer to reality.
December 1, 2006
[Arbus's] most famous images still have the power to shock, hanging as they do on the walls of the world's museums. Fur, the movie about her, reaches for that same jolt and settles instead for a raised eyebrow.
November 30, 2006
Not a single frame of Fur conveys Arbus's distinctive vision ...
April 24, 2009
Director Steven Shainberg's follow-up to his groundbreaking film "Secretary" (2002) is an anti-biopic that dares to read between the lines of its subject's artistic vision rather than replay the common knowledge events of photographer Diane Arbus' life.
July 17, 2008
Biopic is smart, but leaves questions unanswered.
December 7, 2007
September 6, 2007
Nicole Kidman is superb as the woman who blooms and goes a trifle mad at the touch of this other world inhabited by Lionel, and Robert Downey Jnr is the perfect actor for the role.
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