The LEGO Movie 2: The Second Part
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Michael Winterbottom's tale of grief and mourning, though frustrating in places, is intelligent filmmaking with superb central performances.
All Critics (43)
| Top Critics (5)
| Fresh (34)
| Rotten (9)
| DVD (1)
Whether you go with this idea might depend on how many times you've seen it before, in sentimental American films. The fact that the film is more artful doesn't make the ghost of the mother less of a cliche.
Though he labours the symbolism of the maze, Winterbottom infuses this otherwise subtle observational drama with the verisimilitude that has become his chief style signature.
A delightful sojourn for one indie filmmaker and his cast and crew in a fascinating old Italian town.
Genova conveys its strongest themes through insinuation, and modulates its shifting moods through Winterbottom's precisely calibrated DV processing.
It can be to mix a strange city with devastating loss. It's at once a deeply sad film and a deeply truthful and optimistic one.
It is impossible not to admire the fluency and intelligence of Winterbottom's film-making, and his prolific output. Yet Genova is a disappointment, more like a tentative sketch for a movie than the actual finished product.
You know a movie like this is working when it holds you tight and nervous in every moment, even when very little is happening.
Genova fails to provide the view with much that is satisfying and instead accomplishes only a superficial examination of grief and the way people respond.
A beautifully observed, moving, yet unfocused story about a professor (Colin Firth) and his two daughters, dealing with the intensities of feeling after a death in the family.
An elegant, traumatic but ultimately rewarding tale that will leave you glad to have made the trip.
It's an extremely well-made film, but just a bit too subdued for my taste.
A brooding drama about grief, which is greatly aided by the performances and its scenic locations.
After the traumatic loss of their mother, the family of three move to Italy to escape their depression. The film is full of emotion as the family tries to cope with their new lives in Italy and sometimes a lot of tension is brought out. The straightforward story is decent and and the quality of performances are quite good. Despite the simplicity of the plot and story, the film still sustains substance and the value of moving on in life.
Directed (and co-wrote screenplay) by Michael Winterbottom, Revolution Films, 2008. Starring Colin Firth, Catherine Keener, Perla Haney-Jardine, Willa Holland and Hope Davis.
Genre: Drama, Romance.
Question: What haunts you? Keeps you up at night? Or wakes you up in a cold sweat? Makes you see things that aren't really there? Forces you to take paths you have no idea where they lead? What if you were 9 years-old; how would you handle all that haunts you?
I just finished another movie on Netflix instant play: A Summer in Genoa and I almost don't know how to write this review. The movie didn't have a lot to say but then again it said so much, in such a subtle way, that I don't think most will like this film. However, I enjoyed it. And, of course, I will tell you why. One word: real.
Everything in this film was real: the acting, which it didn't seem like anyone was acting actually. It was just so natural. Plus, you feel like you are right there in the story. Sure it jumps from scene to scene but you catch up with no problem because of the effortless way everyone, including the children in the film, performed. There was not one iota of "acting" that I could witness. No blocking, no overly rehearsed speeches, or forced responses. It almost gave me shivers. Another thing that I kept noticing because it is something I always look for: how it is filmed - the cinematography. As I said, you felt like you were right there and the way it was shot you could almost smell the Italian air.
The story appeared so genuine that you didn't question the one thing that couldn't be real. (No, I am not going to tell you what that is.) I mean nothing seemed too out of there; nothing really out of the ordinary, besides one small detail; and I have no idea how a producer read the script and said, 'Oh this story is so brilliantly real! It must be made!" In fact, I have a feeling the script was a very boring read so that is why this was independently produced.
A Summer in Genoa stars Colin Firth, who is a father to two daughters and he moves them to Italy after a family tragedy. Was it the best idea? Uprooting the girls and going to a foreign country for a year, would that help them process what haunts them? Well, you will just have to see for yourself. In fact, you have to watch the youngest girl, Mary, (played by Perla Haney-Jardine), to fully understand the story. She was fantastic in this role and it was not an easy role to play eloquently but she did.
Above, the genre states it is a drama and a romance. I am not quite sure I would call it a romance though. However, drama is pretty much spot on, but mix in a little mystery, and I think that would describe this movie better. I know I am remaining vague with this review but there is little to tell about the story without giving much away. This is a movie you need to think about; it does not give you all the answers and you must be willing to contemplate what can truly haunt a person and how they process it.
My favorite thing: As I said, how real, authentic everything was portrayed.
My least favorite: It was a tiny bit slow, and I have watched so many movies that I kept guessing at things and ended up being wrong...okay, maybe I kinda of liked that too.
Length: 94 minutes
Review: 6 out of 10
Five months after the death of his wife(Hope Davis), Joe(Colin Firth) takes his daughters Mary(Perla Haney-Jardine) and Kelly(Willa Holland) to live in Genoa for a year from Chicago for a change of scenery and so they do not have to suffer through another disappointing Cubs season.(Sorry, couldn't resist but would not have to if they had hired Ryne Sandberg when they had the chance.) While there, he gets reacquainted with Barbara(Catherine Keener), an old college friend, while arranging for his daughters to take piano lessons to give their lives structure and to torment the local population when he is teaching classes.
Of the peculiar sub-sub-genre of widowed fathers who raise their children in an exotic environment that includes "The Boys Are Back" and "The Descendants," "A Summer in Genoa" is perhaps the best, not only for Colin Firth's finely controlled performance, but also due to its ambiguous tone, thanks to the skills of director Michael Winterbottom(who also has writing and editing credits.). The beautiful and venerable city of Genoa is a worthy co-star as its winding streets are basked in shadows, making it hard for newcomers like this family to find their way, separating them until their plotlines converge in the hectic climax. In the city, churches are visited, a reminder of Italy being a deeply Catholic country, allowing for a subtle examination of guilt. And I appreciate the history lessons, by the way.
This movie is full of slow, dark, endless walks...probably meant to be symbolic? Anyway, very, very slow movie that had potential, but never really quite reached it. The quality of the actors makes this movie watchable, however. They are quite good. It's just that sometimes that alone doesn't make a great movie. The story has to make sense, and alot of this story left you wondering...
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