The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
After a career defined by cinematic experimentation, director Sally Potter trades affectation and stylistic experimentation for not-so-simple intimacy and empathy, helped of course by rich performances from her cast, young and not-so-young.
Much of the night work,especially candlelit, puts "Ginger & Rosa" in the fashion of a memory piece rather than an objective history.But, as in all of Potter's work, it is an estimable and lush solution to the most minimal of budgets.
Despite some narrative missteps, Ginger & Rosa should be seen simply for Fanning's exceptional performance, the sort of revelatory turn that makes us feel as if the next generation of film is in capable hands.
Fanning -- a startlingly alert and microemotive young actress -- breathes real feeling into the part, while the jazz soundtrack (John Coltrane, Thelonious Monk, Sidney Bechet) rouses this sensitive film from its drowsier inclinations.
Even seemingly ordinary scenes of girlfriends bonding - ironing hair, wearing jeans in the bathtub to shrink them, hitchhiking - are fraught with the sense of the external forces that will divide them.