God Is Great and I'm Not (2002)
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Critic Reviews for God Is Great and I'm Not
You could watch a heroine barrel into a messy romance all day, provided that she's a lot less dopey than this, but few of Michele's foibles make us sympathize with her.
The film is a confusing melange of tones and styles, one moment a romantic trifle and the next a turgid drama.
The plot grows thin soon, and you find yourself praying for a quick resolution.
Although God Is Great addresses interesting matters of identity and heritage, it's hard to shake the feeling that it was intended to be a different kind of film.
This off-putting French romantic comedy is sure to test severely the indulgence of fans of Amélie.
Audience Reviews for God Is Great and I'm Not
I had high hopes for this, as every Audrey Tatou film I have ever seen has been especially cute and quirky, but I still don't know what to make of this melange of artistic style and pretension. It's obviously trying to be a romantic comedy or at least an eccentric take on relationships, but it's simply just annoying. The premise of the film is that a lax Jew starts dating a seriously messed up woman who is trying to find herself through Buddhism, Catholicism, and finally Judaism. Eventually she becomes intense on the subject and wants him to re-experience his faith. This could have been fairly deep, but they try to work in so much more including abortion, attempted suicide, and life after love. It's a cacophony of Tatou's strange oddness and yet her perseverance to find some semblance in meaning when she does something she finds morally reprehensible. The beginning, that includes her breakdown and subsequent anxiety, worked really well and made me think the rest of the film would be deep and poignant. Instead it became a feeding frenzy for Edouard Baer's character and Tatou's to fall in love all the while fighting. Though they have this amazing chemistry that simply sizzles onscreen, their actual dialogue is so annoying and useless that I actually became enraged while reading the subtitles and listening to their whiny voices complain about each other's every flaw. The film incorporate chapters, highlighted with notepaper shots, and sometimes uses scenes in English. I suppose this was for a global market, but I don't see how a small film like this could have had any impact anyway. It's usually touted as a light romantic comedy but nothing about this is ever light. Everything is over the top and overly dramatic. The plot is so disjointed that I can't surely tell if what I'm seeing is the full timeline, or a memory, or this rambling set of events that make sense in this strange world they've created. The film ends with to be continued, but no sequel was made, and if they were going to leave it like that all along, it's just a lazy, empty gesture. I am so sad about this film; I may have to have faith in someone else.
What a freakin' odd relationship the leads have.... crazy.
Well, watching this many french Audrey Tautou movies was bound to lead me to a bad one. Totally lame movie about a girl who tries to be Jewish to be with some A- hole guy. Not really worth paying attention too, and so I did some crossword puzzles at I watched.
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