Golden Door (Nuovomondo) Reviews

Page 1 of 5
July 23, 2009
Prince of the New World
August 17, 2008
I would imagine that if you have a close connection to Ellis Island immigrants, you will be similarly touched by this movie.
January 15, 2008
The film's cinematography by Agnès Godard is breathtaking at times, especially early on during exterior scenes.
January 14, 2008
Crialese presents enough historical detail to give many 2nd and 3rd generation Americans today an idea of what physical and mental scrutiny their grandparents might have been subjected to in order to be accepted through the "Golden Door."
January 10, 2008
The journey to America by an Italian peasant and his family, conveying their yearning for a new life in scenes of magical realism.
January 10, 2008
January 8, 2008
is all facade and no force
January 6, 2008
Although the movie's plot line is rather flimsy and its characters somewhat distant, the movie's images are hard to forget.
December 23, 2007
Not as inspiring as it should be.
December 20, 2007
The early parts require some patience, but the film richly rewards that patience. I know of no film that so patiently and so completely documents the Ellis Island experience.
December 7, 2007
October 26, 2007
Sicilian writer-director Crialese adds another to the list of great immigrant films with this evocative, poetic drama about a family of his compatriots who make the fateful Atlantic crossing in 1904.
October 22, 2007
Punishing but eye-opening immigrant tale.
August 15, 2007
So enjoyable and visually stimulating is the experience, it's tough to knock Crialese's Door.
August 10, 2007
Although it has a gorgeous, lyrical visual style, it contains no stirring speeches or sentimentality.
August 3, 2007
Golden Door belongs to(Vincenzo) Amato (Respiro). He makes this tale of woe and wonderment the charmer it turns out to be.
July 19, 2007
[Director] Crialese's talent for poetic illusion, and for finding the general within the microcosm, is reminiscent of Steven Spielberg.
July 14, 2007
There's a certain remoteness to the story that might keep some members of the audience at bay.
July 13, 2007
Yes, the details are spot-on and realistic in the extreme. But we've seen them before. It's the story Crialese hangs this detail on that's weak.
July 13, 2007
Cinematographer Agnes Godard's camera caresses every moment...
Page 1 of 5