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Critic Reviews for Gone
Everything about 'Gone' has the plasticy, leatherette feel of an imitation thriller.
Gifted and sincere as she always is, there's not much Ms. Seyfried can do with this tripe.
It's a significant letdown that after all Jill's running, and all the guessing Seyfried makes us do, the climactic confrontation plays like an uninspired afterthought.
A movie that makes "Murder on the Orient Express" feel like"The Silence of the Lambs"by comparison.
No money should ever change hands in any Gone-related interaction, unless it is because you are buying matches and gasoline to set all the copies of it on fire.
Audience Reviews for Gone
Dhalia's first Hollywood film is this efficient thriller that relies on a constant tension and on the uncertainty surrounding a kidnapping that may only be a product of the protagonist's fear and paranoia. A solid movie but almost ruined by an implausible end.
Jill must solve her sister's kidnapping on her own - because the police think she is crazy. Jill does a lot of work in one day, but something was unsatisfying about the movie - perhaps its lack of realism.
Liked it. Nothing amazing and a bit silly at times, but Amanda Seyfried is good and there's just enough doubt about her sanity through this to keep it interesting. 19/4/14. Updating this from 3 to 4 stars. Not sure why I found it silly on first watch. I had forgotten most of it when I rewatched it tonight, and if found it a really good suspense film.
|Jill:||You know who i am, and i know who you are.|
|Jill:||You know who I am, and I know who you are.|
|Jill:||He's gonna kill molly tonight.|
|Jill:||He's gonna kill Molly tonight.|
|Jill:||I'm the onley that got away because i know his secret.|
|Jill Parrish:||I'll sleep when he's dead.|
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