Gone Reviews

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February 21, 2019
To put it bluntly, it's boring. Really boring.
January 8, 2019
Dhalia's Gone is what it is -- a relatively suspenseful action-thriller, comprised of all the building blocks one would expect from the genre whilst conforming to all of its rules and stylistic tendencies.
November 9, 2018
Clearly no one in the movie has the 'find' app on the iPhones they all carry, otherwise the movie would be over before it began. Seyfried is a beautiful actress, clearly capable of anchoring a film, but she needs to be a tad more discerning.
November 4, 2018
It's a nonsensical mix of women-in-peril films with girl-power feminism that seems to confuse conviction with sociopathy.
January 30, 2018
March 14, 2013
Unbelievably lazy.
February 15, 2013
By the end of Gone you'll be convinced that it's just a low-rent reworking of The Silence of the Lambs, with Seyfried's humongous peepers a sad substitute for Jodie Foster's acting chops.
April 26, 2012
April 23, 2012
With 'friends' like this movie, the feminist cause doesn't need enemies... [E]ven if Jill isn't crazy... she's still crazy, because she does not behave like a sane person.
April 20, 2012
Seyfried shows she's not the kind of actress who would be an easy victim in a Scream movie.
April 20, 2012
It's one of those Hollywood movies that goes in one eye and out the other.
April 19, 2012
Despite Seyfried's suitably wide-eyed performance, director Heitor Dhalia holds too loose a grip on the suspense, driving the film into a succession of dramatic dead ends.
April 19, 2012
Just very silly.
April 19, 2012
Another squandering of Amanda Seyfried's talent, this low-mileage thriller won't be remembered for long.
April 19, 2012
Gone and soon forgotten.
April 19, 2012
Everything about 'Gone' has the plasticy, leatherette feel of an imitation thriller.
April 18, 2012
The shortfall of suspense is emphasised with every pointless car chase, head-slapping contrivance, and attempt at tongue-in-cheekiness. This movie can seriously damage your IQ.
April 16, 2012
Seyfried does yeoman's work here -- but she has been in her share of clunkers and deserves better material.
April 2, 2012
A psychological thriller lacking in both psychological complexity and thrills.
March 23, 2012
There's nothing in the film - which lacks urgency - or Seyfried's eyes or physical demeanor that suggests panic, fear, desperation.
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