Goodbye World (2014)
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Critic Reviews for Goodbye World
If there are roving bands of rogue soldiers, angry and distrustful neighbors and biker gangs running convenience stores, would you be high and naked in the outdoor hot tub? Would you really be picking at old jealousies from the college days?
None of these characters really work as either representations of ideologies or human beings, and none of their female counterparts, despite the fact that the movie was co-written by a woman, are convincing ...
Obviously, the potential for shifting tones here is great; unfortunately, those tones shift rather erratically.
For all the outside threats and watchable cast members, the story falls apart from within.
An unconvincing, poorly conceived hybrid of end-of-the-world thriller and relationship drama.
Audience Reviews for Goodbye World
A lot of interesting stuff here, but failed to execute properly for a myriad of reasons. Not really an "apocalypse" film as much as it is a "old friends reunite and realize that life is complicated" flick.
An interesting if not slightly frustrating tale of a minor apocalyptic event. Also, yes a bunch of overprivileged yuppie hippie wannabes would do most of the dumb things many of the characters did in the film.
A Return to the State of Nature. Good Film! "Goodbye World" is a glimpse of the quick dissolution into the state of nature that occurs in human relationships when society collapses. Common to all works of literature and film that deal with the subject of societal breakdown, established conflicts emerge. These include: the desire to hold onto familiar societal values; the relevance of property ownership without governing bodies; at what point does cooperation impede on the individual's ability to survive; and the possible irrelevance of social contracts (marriage)without government. The film subtly captures the characters not just as victims of impending doom but friends and lovers with established and complicated relationships. These established tensions within the relationships serve as a medium to convey the philosophical quandaries that are inherent in the age old political question: What is man in the state of nature? It should not be expected that the rich characters would set aside relational conflicts as the world ends. Such disaster only exacerbates the problems within their relationships. But the aggravation of old wounds and amplification of competing attitudes just makes the ending all the more sweet. Each character must say "Goodbye World" to their old prejudices and paradigms to walk brightly into the future without "the world as we know it." James and Lily live off the grid, raising their young daughter in a cocoon of comfort and sustainability. When a mysterious mass text ripples its way across the country, triggering a crippling, apocalyptic cyber attack, their home transitions from sheltered modern oasis to a fortress for the estranged old friends that show up at their door for protection and community. The unexpected reunion--abundant with revelry and remembrances, generously enhanced by organic wine and weed--is quickly undermined by the slights of the past, the spark of lingering flirtations and the threat of a locally grown new world order. Balancing tense confrontations with slivers of levity, director ×Denis Henry Hennelly pinpoints a future where ideology explodes into action in every area.
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