The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[Filmmaker Nicholas D. Wrathall] couldn't have asked for a more striking scene than the one in which the writer shows him the grave he plans to occupy (beside his longtime companion, Howard Austen, who died in 2003).
Remarkably enjoyable, even joyous, the film chronicles Vidal's life from his privileged beginnings, his years at some of the country's most elite prep schools, and his shocking decision to join the Army instead of attend college.
A compact but cautiously reverential film portrait of the late, brutally eloquent social commentator. While delving into whatever happened to the phenomenon of the literary celebrity, of which Vidal counted himself the last of that breed - and why.
Heavily seasoned with epigrams worthy of Oscar Wilde, this entertaining documentary portrays Vidal as a pessimistic political prophet with streaks of paranoia and misanthropy, but a truth teller nonetheless.
It's an admittedly hagiographic film, an unabashed celebration of the man and his work and worldview. The few mild naysayers are largely set up to be knocked down, but as such the film is invigorating.
It's easy to believe the friends who attest that Vidal remained shy and vulnerable at heart. But perhaps this wasn't a bad thing, if it helped ensure that his carnivorous elegance remained wedded to an underlying sense of decency.