Il Vangelo Secondo Matteo (The Gospel According to St. Matthew) - Movie Reviews - Rotten Tomatoes

Il Vangelo Secondo Matteo (The Gospel According to St. Matthew) Reviews

Page 1 of 2
Cole Smithey
November 20, 2015
[VIDEO ESSAY] This film seems to say that religious doctrine has worked as long as it has because its poetry is so beautiful. It also allows for the passing of generations who will eventually reject all religion because it is ultimately a lie.
Full Review | Original Score: A+
Fernando F. Croce
February 27, 2015
At once primeval and immediate
Philip French
Observer (UK)
March 3, 2013
Cinema's most impressive biblical movie to date.
Derek Malcolm
London Evening Standard
March 1, 2013
Superb in every way, and possibly the film-maker's best.
Full Review | Original Score: 5/5
Peter Bradshaw
February 28, 2013
A fierce magnesium flame of a movie.
Full Review | Original Score: 5/5
Emanuel Levy
April 21, 2012
Pasolini, a gay atheist Marxist, has made one of the most intriguing films about Jesus, cast with unknowns and shot in documentary style.
Full Review | Original Score: B+
David Jenkins
Little White Lies
March 8, 2012
Definitely one for multiple viewings, and arguably up there with Pasolini's best.
Full Review | Original Score: 5/5
Rob Nelson
City Pages, Minneapolis/St. Paul
August 21, 2009
A defiantly earthy anti-epic, Pasolini's Gospel is a period piece in costume only, placing its rather scruffy, contemporary-looking Christ in the steep southern Italian hills of Calabria.
Tim Brayton
Antagony & Ecstasy
April 19, 2009
Beautifully retells a spiritual story without resorting to the overbearing piousness that makes most American Bible films such well-intentioned slogs.
Full Review | Original Score: 9/10
David Parkinson
Empire Magazine
March 19, 2008
Seen as a Catholic-Marxist statement at the time, nearly 40 years on, Pasolini's cinematic accomplishment still impresses.
Full Review | Original Score: 5/5
Donald J. Levit
ReelTalk Movie Reviews
November 24, 2007
Pier Paolo Pasolini benefited from the very austerity that underlies the particular and at the same time universal center of this film.
Top Critic
Don Druker
Chicago Reader
October 23, 2007
Pasolini uses a complex but seemingly stark and simple visual style, and he evokes wonderful performances from nonprofessionals Enrique Irazoqui, Margherita Caruso, and Marcello Morante.
Top Critic
Jonathan Rosenbaum
Chicago Reader
October 23, 2007
This highly political interpretation of the passion is as scandalous in its own way as Mel Gibson's but more poetic, more contemporary in its impact, and more serious in its overall morality.
Dennis Schwartz
Ozus' World Movie Reviews
September 5, 2007
A quirky version of Matthew's story, one that was closer in accord with fundamentalist beliefs than Marxist tenets.
Full Review | Original Score: B
Cole Smithey
October 22, 2006
| Original Score: 4/5
Top Critic
Geoff Andrew
Time Out
June 24, 2006
Certainly Pasolini's most satisfying movie.
Boyd van Hoeij
June 10, 2006
| Original Score: 5/5
Christopher Null
June 8, 2006
It's Jesus Christ's greatest hits in this Pasolini classic, a scrappy and odd adaptation of, as the title suggests, the Book of Matthew.
| Original Score: 3.5/5
Emanuel Levy
August 4, 2005
| Original Score: 4/5
Top Critic
Bosley Crowther
New York Times
May 9, 2005
The consequence is a crescendo of excitement and involvement with the fervor and passion of Jesus and an accumulating sense of the irony and tragedy of Jesus' suffering, in historical as well as spiritual terms.
Full Review | Original Score: 5/5
Page 1 of 2