The LEGO Movie 2: The Second Part
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Ornate costumes and a talented cast can't make up for Ghosts' glacial pace and confused plot.
All Critics (87)
| Top Critics (34)
| Fresh (26)
| Rotten (61)
| DVD (1)
Captures the essence of the period -- an intriguing, backward era in Spain -- but without the emotional impact that such a film requires.
Think of it as an Amadeus that doesn't work.
It's a richly seen and felt movie, but not one with a feel-good message.
A modern sensibility afflicts much of the screenplay, with characters expressing thoughts and opinions for our ears rather than acting as people of that era.
A punishing misfire.
Misery, misery, misery.
Aside from the waste of great talent, the real shame here is that a film that takes the great master's name could at least try to evoke the raw visual power of his paintings.
A ridiculous biopic of the great Spanish artist.
Intense historical epic is for adults only.
Cumbersome and often stilted, Goya's Ghosts remains a worthy drama
Goya, aqui, é o coadjuvante de luxo de uma história que não faz jus nem mesmo aos seus protagonistas.
A storyline that turns so silly, you half-expect Mel Brooks to show up reprising his "Inquisition" musical number from History of the World Part I.
What a hot mess of a movie. Stellan Skarsgård and Javier Bardem both kinda phone it in as celebrated painter Francisco Goya and a flip-flopping monk who rapes a girl wrongly imprisoned as a heretic. This was also during the late-aughts era of NaPo's awkward and repetitive acting choices, which included such disasters as "Mr. Magorium's Wonder Emporium," "The Other Boleyn Girl," "The Other Woman," and "Brothers."
One big problem I have with the movie (aside from the senseless plot and torrid pacing, which I can't even comment on further) is the lack of accent-work. I understand that big period pieces such as this cater to an American audience, and as such, historical figures from myriad countries speak English with an anesthetized, historical-sounding British accent. This movie doesn't even offer that! It's a weird olio of Skarsgård's Swedish, Bardem's Spanish, and Portman's American. ALSO, Goya still speaks perfectly after going deaf.
Film about the life of famed Spanish artist Francisco Goya, Goya's Ghost is a sweeping drama directed by masterful director Milos Forman. I feel that this is a phenomenal period piece. Goya's Ghost has a phenomenal cast and is one impressive historical drama. Not since Forman's film Amadeus has a film of this caliber looked this impressive. Goya's Ghost is set during the Spanish inquisition and shows the harsh period for what it is. Forman's film paints an impressive picture of a gifted artist. The cast that Milos Forman assembles here is an in impressive bunch of talented individuals. They truly bring this film up a notch. Goya's Ghosts is not a perfect film, but there's a lot to appreciate from this film. The story is well crafted, engaging and above all, entertaining. However, there were a few moments that just didn't cut it. For example Natalie Portman at times was overdoing her role, and she turned a rather great performance into a good one. Stellan Skaarsgard is of course, the best role here as Francisco Goya. He truly brought something unique to the screen. This is a near flawless picture that has wonderful performances and a very engaging story. A truly well made film that is almost perfect, Goya's Ghosts brings back elements of Forman previous period piece Amadeus, only this around he focuses on a unique painter.
Master Spanish painter Francisco de Goya is confined here to be a mere middle man, a MacGuffin in a tasteless soap opera set in the midst of two centuries.
Milos Forman is a good director, but neither he nor his co-writer, the famous Buñuel collaborator Jean-Claude Carrière could follow a truly significant period of Goya's life.
It pretends to cover a big span of time, but falls short.
Nothing like the Spanish inquisition to make a movie good. Natalie portman gets hung up and tortured until she is a creepy crazy lady, and a Monk dies. It really didn't have much of a point other than to show what the time was like for Goya, but it was fun to watch.
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