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All Critics (24) | Top Critics (9) | Fresh (23) | Rotten (1)
At this point it feels as though Hong can create a lovely composition or reach psychological insights offhandedly-the films successfully translate his carefree filmmaking process into narrative form. December 30, 2019 | Full Review…
At this point it feels as though Hong can create a lovely composition or reach psychological insights offhandedly-the films successfully translate his carefree filmmaking process into narrative form.
Ben Sachs
"Grass," true to its title, is small, sharp and bladelike. April 23, 2019 | Full Review…
"Grass," true to its title, is small, sharp and bladelike.
Justin Chang
One of the best expressions/variations on Hong's usual formula. April 19, 2019 | Rating: 3/4 | Full Review…
One of the best expressions/variations on Hong's usual formula.
Simon Abrams
This movie, like most of Hong's others, doesn't pass judgment on its largely passive protagonist. In fact, it suggests that observing the people that pass through one's sight and hearing is an entirely valid mode of living. April 18, 2019 | Full Review…
This movie, like most of Hong's others, doesn't pass judgment on its largely passive protagonist. In fact, it suggests that observing the people that pass through one's sight and hearing is an entirely valid mode of living.
Glenn Kenny
By the end of the film, Areum is forced to reckon with the very people she so casually, even callously inserted into her writing. April 15, 2019 | Rating: B+ | Full Review…
By the end of the film, Areum is forced to reckon with the very people she so casually, even callously inserted into her writing.
Lawrence Garcia
Hong turns the café and its narrow alley into a graveyard of emotion. With a disturbing simplicity, he maps a passing vortex of pain onto bare and banal places and, in the process, rescues it from oblivion. April 15, 2019 | Full Review…
Hong turns the café and its narrow alley into a graveyard of emotion. With a disturbing simplicity, he maps a passing vortex of pain onto bare and banal places and, in the process, rescues it from oblivion.
Richard Brody
We hope that we'll be understood by saying that there can be no more perfect closing image... filled with the joy of human warmth. [Full review in Spanish] March 17, 2020 | Rating: 5/5 | Full Review…
We hope that we'll be understood by saying that there can be no more perfect closing image... filled with the joy of human warmth. [Full review in Spanish]
Miguel Muñoz Garnica
Hong Sang-soo's Grass is a movie defined through its visual cues and their intimate dance with the words that try to define them. October 26, 2019 | Full Review…
Hong Sang-soo's Grass is a movie defined through its visual cues and their intimate dance with the words that try to define them.
Soham Gadre
There's more fun to be had with the contradictions Hong can bring up and explore in the span of one hour than what most other films can muster up with two. June 5, 2019 | Full Review…
There's more fun to be had with the contradictions Hong can bring up and explore in the span of one hour than what most other films can muster up with two.
C.J. Prince
Hong Sang-soo returns with his 22nd film, a masterpiece that turns a simple, almost theater-like premise into an ambulatory rumination on life and death. May 25, 2019 | Full Review…
Hong Sang-soo returns with his 22nd film, a masterpiece that turns a simple, almost theater-like premise into an ambulatory rumination on life and death.
Joshua Brunsting
Takes snippets of overheard conversations and turns them into something wonderful and new, a summation of life's tiny moments made disarmingly momentous. May 18, 2019 | Rating: 3/4 | Full Review…
Takes snippets of overheard conversations and turns them into something wonderful and new, a summation of life's tiny moments made disarmingly momentous.
Matthew Lucas
[Sang-soo] still didn't run out of narrative possibilities within the breezy, light fluency that characterizes his filmmaking style. May 16, 2019 | Rating: 3.5/5 | Full Review…
[Sang-soo] still didn't run out of narrative possibilities within the breezy, light fluency that characterizes his filmmaking style.
Filipe Freitas
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