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All Critics (21) | Top Critics (8)
"Grass," true to its title, is small, sharp and bladelike. Apr 23, 2019 | Full Review…
"Grass," true to its title, is small, sharp and bladelike.
Justin Chang
One of the best expressions/variations on Hong's usual formula. Apr 19, 2019 | Rating: 3/4 | Full Review…
One of the best expressions/variations on Hong's usual formula.
Simon Abrams
This movie, like most of Hong's others, doesn't pass judgment on its largely passive protagonist. In fact, it suggests that observing the people that pass through one's sight and hearing is an entirely valid mode of living. Apr 18, 2019 | Full Review…
This movie, like most of Hong's others, doesn't pass judgment on its largely passive protagonist. In fact, it suggests that observing the people that pass through one's sight and hearing is an entirely valid mode of living.
Glenn Kenny
By the end of the film, Areum is forced to reckon with the very people she so casually, even callously inserted into her writing. Apr 15, 2019 | Rating: B+ | Full Review…
By the end of the film, Areum is forced to reckon with the very people she so casually, even callously inserted into her writing.
Lawrence Garcia
Hong turns the café and its narrow alley into a graveyard of emotion. With a disturbing simplicity, he maps a passing vortex of pain onto bare and banal places and, in the process, rescues it from oblivion. Apr 15, 2019 | Full Review…
Hong turns the café and its narrow alley into a graveyard of emotion. With a disturbing simplicity, he maps a passing vortex of pain onto bare and banal places and, in the process, rescues it from oblivion.
Richard Brody
The black-and-white "Grass" is a deceptively potent entry in the canon, a thimbleful of purest, concentrated Hong-brand soju. Aug 3, 2018 | Full Review…
The black-and-white "Grass" is a deceptively potent entry in the canon, a thimbleful of purest, concentrated Hong-brand soju.
Jessica Kiang
There's more fun to be had with the contradictions Hong can bring up and explore in the span of one hour than what most other films can muster up with two. Jun 5, 2019 | Full Review…
There's more fun to be had with the contradictions Hong can bring up and explore in the span of one hour than what most other films can muster up with two.
C.J. Prince
Hong Sang-soo returns with his 22nd film, a masterpiece that turns a simple, almost theater-like premise into an ambulatory rumination on life and death. May 24, 2019 | Full Review…
Hong Sang-soo returns with his 22nd film, a masterpiece that turns a simple, almost theater-like premise into an ambulatory rumination on life and death.
Joshua Brunsting
Takes snippets of overheard conversations and turns them into something wonderful and new, a summation of life's tiny moments made disarmingly momentous. May 17, 2019 | Rating: 3/4 | Full Review…
Takes snippets of overheard conversations and turns them into something wonderful and new, a summation of life's tiny moments made disarmingly momentous.
Matthew Lucas
[Sang-soo] still didn't run out of narrative possibilities within the breezy, light fluency that characterizes his filmmaking style. May 16, 2019 | Rating: 3.5/5 | Full Review…
[Sang-soo] still didn't run out of narrative possibilities within the breezy, light fluency that characterizes his filmmaking style.
Filipe Freitas
Like most of Hong's work, there isn't much of a lesson or conclusion to anything, and we're left to make our own assumptions the way Areum does. Apr 22, 2019 | Full Review…
Like most of Hong's work, there isn't much of a lesson or conclusion to anything, and we're left to make our own assumptions the way Areum does.
Scott Nye
Hong's films are a world unto themselves. Apr 11, 2019 | Rating: 3/5 | Full Review…
Hong's films are a world unto themselves.
Sucheta Chakraborty
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