The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
As a study of stasis and of people conscious of not living the lives they had imagined for themselves, the picture offers a bracing undertow of seriousness beneath the deceptively casual, dramatically offhand surface.
A film of powerful, memorable moments -- some striking dialogue, some great performances, a handful of beautifully played, bracingly discomfiting love scenes -- in search of a structure and, perhaps, a soul.
Greenberg won't be everyone's cup of hemlock. Yet we all know people like this -- the ones who only hear their own motors running -- and Baumbach locates and mines a rich vein of appalled comic sympathy.
Stiller's portrayal is so acutely real, Baumbach's writing so cutting and specific, and the work of Gerwig so seemingly effortless that Greenberg makes you, if not happy to stick around, then at least agreeable to the idea.
Greenberg will do a lot for Stiller's reputation and Gerwig's profile, but its awkward, messy humanity and uncomfortable honesty won't necessarily do a lot for ticket-buyers more used to lighter, warmer and breezier entertainments.