The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The appeal of Neil Jordan's latest film lies largely within its self-awareness. Greta takes absolutely preposterous twists and turns, but the film leans into them so gleefully that one can't help but just buckle up and enjoy the raucous ride.
Like the Chopin and Liszt performed during the course of Greta, the film is well-played, invigorating, full of sentimental associations and a bit overfamiliar. When the end game arrives, it's a satisfactory homage to a more genteel age of thrills.
Because Jordan's style brings emotional and psychological depth to every scene, there's a creepy joy in just watching it all unfold - especially because Huppert is so gleefully eerie, and pushes the whole cinematic wheelchair to the edge of the stairs.
Greta is B-grade schlock made with A-level credentials and the latter makes all the difference, with the cast and crew knowing exactly what they are doing and what film they are working in. It is deliciously depraved in all the right ways.
Greta hits a lot of the right notes, but the sour ones make you want to slam the piano keys. The cinematography, directing and acting are all exactly the caliber that create suspense and anxiety, but the script misses a few key elements.