The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The one thing that became evident to me, while watching Tarantino's homage to sewer cinema, is that even while the flesh is melting and being blown apart with bullets, if the spirit is missing, there simply isn't much point.
Rodriguez goes for full-blooded faithfulness, Tarantino goes for genre analysis and reconfiguration, and the results are, ultimately, about as coherent and fulfilling as a typical grindhouse double-feature.
Rodriguez understood the project the better of the two directors and made the more appropriate of the two films. Tarantino appears to have gotten into making his film and then forgot what he was supposed to be doing.
I enjoyed the invented trailers the directors fold into the mix, but despite the jokey 'missing reels,' these two full-length features are each 20 minutes longer than they need to be, and neither one makes much sense as narrative.
An important fact to be noted about "Grindhouse" is this: It's three hours and 11 minutes long. After sitting through the rousing Rodriguez feature that opens the film, and the three hilarious faux trailers that follow (courtesy of guest directors Eli Rot