Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (23)
| Top Critics (10)
| Fresh (23)
| Rotten (0)
| DVD (3)
It's Gabin's show all the way, anticipating the melancholy, atmospheric gangster pictures of Jean-Pierre Melville that started to appear a couple years later.
Jacques Becker, who did such a fine job in painting the turn-of-the-century apache milieu in Casque D'Or, brings the same care and psychological overtones to a film on the modern racketeer element.
This model French gangster picture set the rules for the great sequence of underworld movies from Jean-Pierre Melville that followed.
The acting is consistently good. M. Gabin is, of course, an old hand at bland toughness. Rene Dary and Paul Frankeur, as two colleagues; Jeanne Moreau and Dora Doll, as two unlucky ladies, and Lino Ventura and Denise Clair... are sordidly convincing.
There's not a trace of vanity in [Gabin's] performance.
Every filmmaker from Francois Truffaut to Quentin Tarantino owes something of a debt to Becker's black-and-white boldness.
The film is often confusing, especially during the first half, but Gabin and Ventura are well cast as hoods and Moreau is as appealing as ever as an underworld temptress.
It's those little character moments, balanced between charm and pathos, that make this film such a winner.
As ripely Parisian as old (1954) Montmartre.
A diverting curiosity.
If it isn't the best trip you've ever taken to the dark Montmartre of the 1950s, it's nevertheless a real French noir. Irresistible, in other words.
Its crisp black-and-white photography is truly seductive and its stoic celebration of honor among thieves make it one of the definitive French films noir of the '50s.
an excellent crime story. gabin plays a solid lead and scala is sexy in her limited role in a film that caught me by suprise. only loosely a heist film, it is fairly similar to much of melvilles great work. im glad i bought the film because i know i will rewatch it many times.
There are more worries in the life of a gangster besides money. There's love, loyalty, friendship, and the most implacable killer of all: time itself, the way it undermines and vanishes every human being no matter how strong or resolute he/she used to be.
Jean Gabin plays the elegant and charismatic Max, an aging criminal mentor who finds his way to retirement full of bumps.
After pulling out the heist that Max thought would end up his occupation for good, Max's best friend Riton tells his girlfriend (a very young Jeanne Moreau) about their last job. Unfortunately, this leak of information given by the incompetent Riton leads to his kidnapping by Max's competitor Angelo (Lino Ventura) who will demand their last job's loot for ransom. It will all be decided in a tense and masterfully shot gun battle.
An engrossing masterpiece with phenomenal direction, acting and cinematography.
this is just an outstanding piece of crime drama and paved the way for many great french gangster films to come, including dassin's rififi and melville's bob le flambeur. jean gabin, making a terrific comeback, is deadly cool as the weary max, out to save his friend and his loot from rival lino ventura, in his first film role. an unknown and almost unrecognizable jeanne moreau plays the woman who comes between them. with a fantastic running gun battle as the finale! i adored this more than any of melville's gangster films except perhaps le doulos. this was my first taste of jacques becker and i want more!
[font=Century Gothic]"Touchez Pas Au Grisbi" is unlike most other heist films in that it concerns itself solely with the aftermath of a heist and not with the actual crime. Max(Jean Gabin) is a suave, aging criminal who is tiring of the nightlife. He trusts noone except for his partner and is weary of everbody. Everything changes when he is followed home from a night club...[/font]
[font=Century Gothic]"Touchez Pas Au Grisbi" gets off to a slow start but is eventually worthwhile, mostly due to Jean Gabin's pitch perfect performance and Jacques Becker's keen direction. The movie's material which includes drug use and plenty of innuendo(not to mention some very interesting paintings) is more mature than I originally expected for a movie made in 1953. That having been said, the movie focuses mainly on the men with the women being treated as windrow dressing or worse.[/font]
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