The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Hairspray is an energetic romp, but as a social statement -- which it pretends to be -- it's cartoonish. And as a playful look back at a time and place, it's simplistic shtik. It's a mountain of whipped cream, with an occasional chocolate sprinkle.
A safe, self-congratulatory fantasy which revisits the civil rights era not for a valuable history lesson but for an escapist, syrupy sweet, sing-a-long trip down memory lane to an unrecognizable, Hollywood utopia that never existed.
Upon further inspection, not only can I stop the beat, but I would like to turn this stopping of beats into a national movement. Do yourself a favor and just revisit the original Waters film. Your senses will thank you in the morning.
Caso tivesse 20 minutos e alguns números musicais a menos, Hairspray poderia ser uma surpresa tão divertida quanto o original (que tampouco é um clássico). Inchado como ficou, porém, é apenas um passatempo pouco memorável.
This screen-to-stage-to-screen disaster spits in the face of John Waters' decade-defining pop pastiche of harmonious camp and progressive thinking, retaining the basic plotline and anti-segregationist morals but none of the authenticity.
Based on John Waters' 1988 satire of civil rights-era nostalgia, this movie-musical adaptation makes the same mistake as the 2002 Broadway incarnation -- it domesticates Waters' parodistic anarchy into general-audience silliness.