The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The computerised animation is cut-rate; the script keeps piling on clunker jokes that even toddlers will find lame; and Prinze proves he isn't any better an actor in two dimensions than he is in three.
[It's] unhappily unsuccessful as either low-budget, time-filling kiddie fare or satire aimed at adults. Its lack of imagination extends to the computer-generated animation, which is as lacking in detail and style as the dialogue is in amusement.
There is the requisite bathroom humor (though it's mild) and a wan effort to be a bit edgy by updating the looks of Cinderella. But it takes more than a spiffy short haircut to make a character memorable.
The rationale behind this unattractive animated comedy, a U.S.-German coproduction, seems to be that since it can't create a fairy-tale world of its own, it might as well riffle through many of the more familiar ones.
Quantities of unimaginative CGI do nothing to perk up a barely sketched storyline. I spent the movie scratching my head over which audience the studio is hoping to profit from with this noisy rubbish. YouTubers? Tots with ADD?
This movie is the worst kind of offender: it thinks its funny and clever, but it is neither. The filmmakers have mistaken banality for wit and silliness for humor, and that doesn't begin to address how visually clunky this motion picture is.