Happy Christmas (2014) - Rotten Tomatoes

Happy Christmas (2014)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Intelligent, well-acted, and satisfyingly low-key, Happy Christmas marks another step in prolific filmmaker Joe Swanberg's creative evolution.

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Movie Info

When Jenny (Anna Kendrick), a hard partying 20-something moves in with Kelly (Melanie Lynskey), a budding novelist, her film director husband (Joe Swanberg) and their two-year-old son after a break up, the family's idyllic life is shaken. Jenny begins a rocky relationship with their baby sitter-cum-pot dealer (Mark Webber), and she and a friend, Carson (Lena Dunham), bring Kelly to the realization that an evolution in her life, career and relationship is necessary for her happiness. A new comedy from the director of DRINKING BUDDIES. (c) Magnolia PIctures
Rating:
R (for language, drug use and some sexual content)
Genre:
Drama
Directed By:
Written By:
In Theaters:
 limited
On DVD:
Box Office:
$28,853.00
Runtime:
Studio:

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Cast

Mark Webber
as Kevin
Lena Dunham
as Carson
Chris Swanson
as Music Supervisor
Eldar Kim
as Cab Driver
Megan Mercier
as Party Host
Chris Renton
as Party Makeout Guy
Kris Swanberg
as Landlord
Jessica Angelos
as Party Guest
Mike Brune
as Party Guest
Harry Burton
as Party Guest
Harry Burson
as Party Guest
Tony de Castro
as Party Guest
Ethan DeCota
as Party Guest
Van Eggers
as Party Guest
Matt Feasley
as Party Guest
Sara Gaare
as Party Guest
Elizabeth Hale
as Party Guest
Traci Hercher
as Party Guest
Megan Hovany
as Party Guest
Charlotte Keenan
as Party Guest
Maggie Peterson
as Party Guest
Felix Pineiro
as Party Guest
Fae Rabin
as Party Guest
Ben Schwartz
as Party Guest
Ezra Teitelbaum
as Party Guest
Kate Thomas
as Party Guest
Erin Vogel
as Party Guest
Michael Wawzenek
as Party Guest
Mr. Schneider
as Mr. Pants
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News & Interviews for Happy Christmas

Critic Reviews for Happy Christmas

All Critics (67) | Top Critics (30)

Swanberg's naturalistic, improvised style lets the conflict come about organically, repeatedly putting the characters in situations to which they could react with clichés but instead go with something more empathetic and nuanced.

Full Review… | December 2, 2014
Entertainment Weekly
Top Critic

This semi-improvised indie accomplishes its modest goal, which is to explore the way a vexing relationship between in-laws can yield unexpected personal growth and warm bonds of affection.

Full Review… | August 7, 2014
Minneapolis Star Tribune
Top Critic

I suppose it's because his father in this movie is played by his father, but I've never seen a better performance -- or whatever you want to call it -- from a two-year-old.

Full Review… | August 1, 2014
Christian Science Monitor
Top Critic

The script doesn't just leave things unsaid but unnoticed, and the film's conclusion isn't much more than a half-hearted well, yeah, whatever.

August 1, 2014
Newark Star-Ledger
Top Critic

A slightly above average example of a kind of movie - and of a trend within movies - that needs to be encouraged.

Full Review… | July 31, 2014
San Francisco Chronicle
Top Critic

A quiet, serious comedy about marriage, parenthood and the everyday strains of bringing up a rambunctious toddler while struggling to sustain a creative life.

Full Review… | July 31, 2014
New York Times
Top Critic

Audience Reviews for Happy Christmas

½

Joe Swanberg is a recently emerged figure in the mumblecore movement, and he has been making films that have been well received both critically and commercially. Most of his film's dialogue is improvised, he sometimes stars in his own films, and they all deal in the same components of the mumblecore genre, including using twenty-and-thirty-somethings who are trying to get their lives together. Anna Kendrick has recently been making a ton of independent features, and this is her second collaboration with the director. The story follows Jenny (Kendrick) as she goes to stay with her brother (Swanberg) and his wife (Lynskey), following a bad breakup and a lack of ambition. Jenny and her sister-in-law start to bond and Jenny realizes her feelings for their babysitter (Weber) though she also realizes it's just another bad decision in her already harried life. The film itself doesn't say anything specific about life as a young adult, and it doesn't have much of a plot, but the improvised dialogue between Kendrick, Lynskey, and Dunham reminds me of the same gabbing I have been privy to as a twenty-something. Entertaining for college students, but this doesn't say anything about our lives other than that it's difficult to figure out who we are at this stage in life.

Spencer S.
Spencer S.

Super Reviewer

Anna Kendrick stars in the gritty, indie comedy-drama Happy Christmas. After a bad breakup Jenny moves in with her brother and his wife, but her reckless ways soon start to cause problems for them. Unfortunately, the directing style makes the film look and feel incredibly cheap. And, at times it seems as if there's no script and that that actors are just improving. Yet, at times there seems to be authentic character reactions. Also, there's a sincerity to the film's message about the things we go through for family. But overall, Happy Christmas is a poorly made film that falls flat and fails to tell a compelling story.

Dann Michalski
Dann Michalski

Super Reviewer

½

A lot of people seem to hate Joe Swanberg, and I do not seem to understand why. Like I get that his style is certainly not gonna be everybody's cup of tea but, for my money, he's just trying to make the films he wants to make and evolve and get better with each film. I think this is something he's even said himself in an interview, or part of it, that I saw with him. His films, essentially, are just drops in the ocean, and I don't mean that as an insult. I mean that in the sense that films are so wide and vast that to focus your vehement dislike on this one independent filmmaker seems like a waste of time, to me at least. I don't think that anyone, as far as I'm aware of, has made the claim that Joe Swanberg is the best filmmaker going right now. Don't get me wrong, I think the guy is good, which is something that I'll get to later, but he's not Martin Scorsese...hell I don't think he even thinks that. It's probably a good idea I, for the most part, stay off of websites or comments sections because that negativity, in some way, is gonna warp your view of his, or anybody else's, films. But I digress, silly rant out of the way, I really liked this movie. This was a pleasant surprise. I always say this, it's not like I go into films expecting not to like them, but I really wasn't feeling this before I started watching it. It was more of a 'why not' decision. It's certainly short enough to where it doesn't overstay its welcome, so I decided to give it a shot. Much like a lot of Swanberg's films, the film is low-key and naturalistic. They achieve this by, pretty much, improvising much of the dialogue you see on the film. I'm sure there were certain plot points they needed to hit, but how they got there was heavily improvised. And I'm a big fan of that, it just feels, far more realistic than the norm. There's no heavily scripted, dramatic scenes. No overacting, all of it feels natural. And I can imagine that that would be very freeing and creatively stimulating for an actor, it's just a method that more filmmakers should use to be honest. Maybe not have everything be improvised, just give the actors a certain leeway to deliver the lines in a way that, they feel, is best for the character they're portraying. But the improvisation makes it easier to relate to these characters as actual people instead of just fake characters in a fake movie. The film's look fits along with the tone of the film. Nothing fancy, shooting on 16mm will do that. But, again, with type of story they're telling, 16 mm film is just perfect. The character development is very low-key, but intelligent. There IS an arc for the characters in the film. Jenny's is to find a way to keep from self-destructing and Kelly's is to find her passion for writing again through Jenny's and Carson's help. The film isn't gut-bustingly funny, but it has its funny moments, like when Carson, Kelly, and Jenny are discussing how they'll broach the subject of sex in the trashy, romance novel Kelly is writing. It all works because, again, it's all improvised. It feels like a real group of women discussing what the book's content it is. You know why it feels like that? Because it's exactly what it is! It's not exactly rocket science. Strong acting all around, Melanie Lynskey and Anna Kendrick are always great together. Joe Swanberg is good as well, because he's essentially playing himself, not a scripted character. He's even said he's not a good actor, so at least he keeps himself out of the picture and lets his leading ladies carry much of the load. I think the film's low-key approach with definitely frustrate some people and I understand, but I think the film certainly makes that up with strong acting and intelligent storytelling. Essentially Joe Swanberg is preaching to the converted here. There's no reason to suspect that anyone who dislikes his movies will, all of a sudden, 'see the light'. Fans, however, will definitely have a lot to enjoy here. Can't exactly recommend it, since it is bound to be polarizing, but I quite enjoyed it.

Jesse Ortega
Jesse Ortega

Super Reviewer

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