Happy Here and Now (2002)
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as Eddie Mars/Tom
as Police Officer
as Napoleon Bonaparte
Critic Reviews for Happy Here and Now
The future is quieter, emotionally subdued and grayly mysterious, at least in the small hop forward imagined by filmmaker Michael Almereyda.
This is a droll, laid-back film noir steeped in Crescent City atmosphere and music that culminates in the colliding worlds of genuine and virtual reality.
Michael Almereyda's muddled Happy Here and Now should have stayed on the shelf -- where it's been gathering dust for several years.
Michael Almereyda's futuristic mystery isn't a complete misfire, but it does leave you with the same baffled blankness that suffuses his isolated, techno-dependent characters.
A bit too mannered to engage.
Mourning and gloom weigh upon most of the characters in Michael Almereyda's convoluted and numbingly pretentious Happy Here and Now
Audience Reviews for Happy Here and Now
[font=Century Gothic]"Happy Here and Now" starts out with Amelia(Liane Balaban) venturing to New Orleans to look for her missing sister, Muriel.(At the same time, a firefighter is agonizing over the loss of a fellow firefighter.) Bill(Clarence Williams III), a former CIA Agent, now cab driver, is helping with the search and uncovers a connection to an Eddie Mars who Muriel was communicating via the internet.[/font] [font=Century Gothic][/font] [font=Century Gothic](And what all of this has to do with Nikola Tesla, Blaise Pascal and the price of 7-Up in New Orleans, I have no idea.)[/font] [font=Century Gothic]"Happy Here and Now" begins well and ends up being totally incoherent. Basically the movie wants to be a commentary about not being able to commuicate with our fellow human beings, thus resorting to the company of computers instead. But if you want to chat with people on the internet all day long, be my guest.[/font]
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