Hell to Eternity - Movie Reviews - Rotten Tomatoes

Hell to Eternity Reviews

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November 12, 2013
love old war movies I could only concentrator 1/4 of them
October 7, 2012
War drama with plenty of merit, but never really attempts to emphasise its message.
½ September 10, 2012
A touching story, especially for a war movie. The hero is an interesting mix of red-blooded soldier and a tender heart. The portrayal seems realistic especially compared to some other movies of that era. It also has some nuanced treatment of the moral questions around the existence of Japanese internment camps at the same time that many of Japanese descent were also patriotic Americans and even servicemen.
½ June 6, 2011
Hell to Eternity (1960)

I know, a Memorial Day full of war movies. Maybe I've seen far too many of them in my life.

It was kind of refreshing to see this movie starring child actor, Richard Eyer, as young Guy Gabaldon, an orphaned child who gets adopted by a Japanese American family and later, as grown up Jeffrey Hunter, becomes a Marine who can speak Japanese.

It covers a lot of the hazards of Nisei families during the second world war; being sent to concentration camps while many young Japanese American men joined the Army and fought in Europe.

Since Guy can speak Japanese and is aware of Japanese culture he's perfect to talk the Japanese soldiers and civilians to surrender safely, and is nicknamed the pied piper of Saipan.

Veteran silent actor Sessue Hayakawa plays the Japanese General Matsui who is trying to talk his men into doing a suicide Banzai charge.
Super Reviewer
½ May 14, 2010
One of the first films to address the injustice of the WWII internment camps for Japanese Americans. Poorly named Hell To Eternity is a Hollywoodized version of the true story of Guy Gabaldon, a Hispanic boy who was adopted and raised by a Japanese family during the Great Depression. Gabaldon served as an interpreter in the U.S. Marine Corps, ultimately saving many American lives.

This film struggles to find it's identity. It seems as though it can't decide whether it wants to be a socio-political drama or an action-packed war picture. The two concepts never effectively merge. They just seem stacked, one on top of the other. The result is a film that sometimes flows, sometimes flounders.
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