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as Father Atherton
as Church Thug
as Demon Possessed Husband
as British Demon
as Marie Long-British Demon
as Demon Possessed Wife
as Irish Thug
as Serena Venter
Critic Reviews for Hellbenders
Expends so much time and effort in trying to become the next big cult sensation that it never gets around to simply being a good movie.
It seems like a charming throwback to 1980s films, like "Ghostbusters" and "Police Academy," that featured motley, sloppy brigades of justice.3
Aided by capable if unnecessary 3D effects, Petty displays a flair for staging violent action, but he's trapped inside a broad comic set-up that doesn't mesh with the story's innate meanness.
Hellbenders doesn't take any risks, leaving the horror at too low a level and trying to get comedy from a situation where there isn't any, making this nothing more than a very forgettable film.
It's a shame this story about sinning saints doesn't provide the necessary shock and awe entertainment, because director J.T. Petty is sitting on some serious cult cinema potential - it just never is achieved.
Audience Reviews for Hellbenders
Fun and blasphemous horror comedy, though it sort of doesn't quite live up to its potential in the third act. I enjoyed the first half far more then the second. Overall, though, still fun - especially if you enjoy crude and blasphemous humor.
an enjoyable movie that could of been great. the writing felt like a teen with some of the language thrown about, but it was more entertaining then I expected. a bit more fine tuning of the characters and humor would of made this movie. over all though, worth a check if you're into demons and exorcism since this does a different spin to it all.
For what is supposed to be a goofy comedy, this film is way more serious than it really needs to be. And it's also a complete mess, structurally speaking. It doesn't really know how to balance the comedy and its more serious horror aspects into a coherent package. This movie follows the formula set by Your Highness in that you take something, or in this case a set of characters, and you make them as foulmouthed as humanly possible in the hope that a lot of cursing will turn unfunny material funny. In this case, the priests are foulmouthed, drunkards, living in sin in order to make it easier for demons to be drawn to them. And that's a good, and actually a pretty clever, idea that I think more exorcism movies should employ. The problem is that the movie was way too concerned about making sure that the priests said as many F-bombs as possible than actually making the script funny. Priests saying cocksucker repeatedly is only funny once, you need more than just cursing to make a film funny. It almost feels like a 13-year old that just discovered cursing for the first time wrote this. You know how when you discover cursing you wanna use it all the time, even if it doesn't make sense. That's how this movie feels a LOT, and I do mean a lot, of the time. And that's a problem, because it really doesn't feel like any real effort was made into tightening up the script, making sure that everything is funny or scary, depending what the scene called for, or making sure there's a good story involved. The movie loses big points for that. Some of the fight scenes are also embarrassingly shot, like they just did it in one take and didn't bother to check how that turned out. The film also wastes a perfectly talented cast because, and I like Dan Fogler, but I have no idea why he was here. He didn't contribute anything to the movie, almost like all of his stuff was edited off the movie for some reason. He seriously didn't contribute anything to the cast, at all. And none of the other Hellbound Saints really did. Well, with the exception of Angus, Larry and Elizabeth. There's three characters that, very easily, could've been cut out because they contributed absolutely nothing to the group. It's just little things like that, that bother me. It's like, why waste a perfectly good cast if you're not gonna do anything with them you know? The film has some decent gore near the end, but it's not nearly enough to save the film. By this point, it is simply too late. And there's also these weird interviews that talk about the events of the film after the fact, and they're so weird, because they're way too serious and the tone of the movie doesn't with that at all. And there's also the ending of the interviews, which are shown before the credits roll, that allude to something really big happening after the events of the film you've just seen. Almost as if they were setting up a sequel. It was a good idea in theory, but they're so out of place in this film, that you immediately tune them out. They didn't register with me because I really didn't care at all. I really didn't like this movie at all, in fact I kind of hated it. And I hate it even more because this could've been a good movie. The concept is more than interesting, but it's more concerned about cursing a lot and not really trying to make a good movie out of this concept. I'll go on record as saying that RIPD was better than this. So think about how bad this movie must be.
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