Hellbenders (2013)




Critic Consensus: No consensus yet.

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Movie Info

There are demons so terrible that no mortal man of God could successfully drive them back to Hell. The only option is for the exorcist himself to invite possession and then commit suicide, dragging along the demon to damnation - so the Augustine Interfaith Order of Hellbound Saints - or Hellbenders - was formed. A group of elite, highly-trained exorcists, they live in a constant state of debauchery so they will be ready to go to Hell at any moment. When an infernal Norse demon called BLACK SURTR escapes into New York City intent on cracking open the gates of Hell, the Hellbenders must use every ounce of their debauchery to battle the demon and save the planet from eternal damnation! (c) Lionsgate
R (for bloody violence, some disturbing images, pervasive language, sexual content and drug use)
Comedy , Horror , Mystery & Suspense
Directed By:
Written By:
In Theaters:
Bloody Disgusting

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Andre Royo
as Stephen
Robyn Rikoon
as Elizabeth
Macon Blair
as Macon
Edoardo Ballerini
as Father Atherton
Samantha Buck
as Penelope
Brian Donahue
as Church Thug
Lauren Francesca
as Stripper
Justin Little
as Demon Possessed Husband
Lisa-marie Long
as British Demon
as Marie Long-British Demon
Giovanna Maimone
as Demon Possessed Wife
Raymond Mamrak
as Irish Thug
Folake Olowofoyeku
as Serena Venter
Donna Ross
as Waitress
Rico Simonini
as Contractor
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Critic Reviews for Hellbenders

All Critics (7) | Top Critics (3)

Expends so much time and effort in trying to become the next big cult sensation that it never gets around to simply being a good movie.

Full Review… | October 18, 2013
Top Critic

It seems like a charming throwback to 1980s films, like "Ghostbusters" and "Police Academy," that featured motley, sloppy brigades of justice.3

Full Review… | October 17, 2013
New York Times
Top Critic

Aided by capable if unnecessary 3D effects, Petty displays a flair for staging violent action, but he's trapped inside a broad comic set-up that doesn't mesh with the story's innate meanness.

Full Review… | October 15, 2013
Village Voice
Top Critic

Hellbenders doesn't take any risks, leaving the horror at too low a level and trying to get comedy from a situation where there isn't any, making this nothing more than a very forgettable film.

Full Review… | February 17, 2014

It's a shame this story about sinning saints doesn't provide the necessary shock and awe entertainment, because director J.T. Petty is sitting on some serious cult cinema potential - it just never is achieved.

Full Review… | October 26, 2013
We Got This Covered

Hellbenders mostly feels like a doodle, an amiable lark that will amuse genrephiles and anyone else with their sights set appropriately low.

Full Review… | October 17, 2013
The Dissolve

Audience Reviews for Hellbenders

Fun and blasphemous horror comedy, though it sort of doesn't quite live up to its potential in the third act. I enjoyed the first half far more then the second. Overall, though, still fun - especially if you enjoy crude and blasphemous humor.

Paul Cardullo
Paul Cardullo

an enjoyable movie that could of been great. the writing felt like a teen with some of the language thrown about, but it was more entertaining then I expected. a bit more fine tuning of the characters and humor would of made this movie. over all though, worth a check if you're into demons and exorcism since this does a different spin to it all.

Bill Regan
Bill Regan

For what is supposed to be a goofy comedy, this film is way more serious than it really needs to be. And it's also a complete mess, structurally speaking. It doesn't really know how to balance the comedy and its more serious horror aspects into a coherent package. This movie follows the formula set by Your Highness in that you take something, or in this case a set of characters, and you make them as foulmouthed as humanly possible in the hope that a lot of cursing will turn unfunny material funny. In this case, the priests are foulmouthed, drunkards, living in sin in order to make it easier for demons to be drawn to them. And that's a good, and actually a pretty clever, idea that I think more exorcism movies should employ. The problem is that the movie was way too concerned about making sure that the priests said as many F-bombs as possible than actually making the script funny. Priests saying cocksucker repeatedly is only funny once, you need more than just cursing to make a film funny. It almost feels like a 13-year old that just discovered cursing for the first time wrote this. You know how when you discover cursing you wanna use it all the time, even if it doesn't make sense. That's how this movie feels a LOT, and I do mean a lot, of the time. And that's a problem, because it really doesn't feel like any real effort was made into tightening up the script, making sure that everything is funny or scary, depending what the scene called for, or making sure there's a good story involved. The movie loses big points for that. Some of the fight scenes are also embarrassingly shot, like they just did it in one take and didn't bother to check how that turned out. The film also wastes a perfectly talented cast because, and I like Dan Fogler, but I have no idea why he was here. He didn't contribute anything to the movie, almost like all of his stuff was edited off the movie for some reason. He seriously didn't contribute anything to the cast, at all. And none of the other Hellbound Saints really did. Well, with the exception of Angus, Larry and Elizabeth. There's three characters that, very easily, could've been cut out because they contributed absolutely nothing to the group. It's just little things like that, that bother me. It's like, why waste a perfectly good cast if you're not gonna do anything with them you know? The film has some decent gore near the end, but it's not nearly enough to save the film. By this point, it is simply too late. And there's also these weird interviews that talk about the events of the film after the fact, and they're so weird, because they're way too serious and the tone of the movie doesn't with that at all. And there's also the ending of the interviews, which are shown before the credits roll, that allude to something really big happening after the events of the film you've just seen. Almost as if they were setting up a sequel. It was a good idea in theory, but they're so out of place in this film, that you immediately tune them out. They didn't register with me because I really didn't care at all. I really didn't like this movie at all, in fact I kind of hated it. And I hate it even more because this could've been a good movie. The concept is more than interesting, but it's more concerned about cursing a lot and not really trying to make a good movie out of this concept. I'll go on record as saying that RIPD was better than this. So think about how bad this movie must be.

Jesse Ortega
Jesse Ortega

Super Reviewer

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