The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Horror is at its best when it's relentless. Clive Barker knows this, and his debut feature as director is so gleefully vicious, so relentlessly grim that it's going to be very hard for fans of the genre not to like it.
The film is for the most part a return to the cutting edge of horror cinema, and in its inventively gruesome moments a reminder of the Grand Guignol intensity that has recently tended to disintegrate into lazy splatter
Not only did it revolutionise horror and force mainstream critics to accept that it could ... have real artistic weight, it captured a moment in time when social and sexual mores were shifting in a fascinating way.
Barker's vision cribs equally from the mythos of vampires and zombies, but Hellraiser's overriding ridiculousness (and nagging budgetary shortcomings) can't disguise the fact that the movie is at least unwittingly a product of the AIDS crisis.