Hellraiser III: Hell on Earth - Movie Reviews - Rotten Tomatoes

Hellraiser III: Hell on Earth Reviews

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½ March 27, 2015
Saw it in theaters when it first came out back then and still found it trying to reach a plot and unnecessary...
March 15, 2015
The last Hellraiser film that Clive Barker had any official involvement with, although he reportedly only contributed some story ideas which were largely ignored and did not make it into the film. This was really the beginning of the end of the Hellraiser franchise. It bears little similarities to the prior films, both in content and quality, and comes off as a cheap cash grab rather than trying to expand the Hellraiser mythos. The first two films also had a kind of visual elegance to the graphic violence, but this film is merely gory. Besides that, I think my main complaint is that Pinhead looked ridiculous in brightly lit scenes, taking away most of his scary mystique. Disappointing all around and just about as bad as I remembered it.
January 17, 2015
This third installment in the Hellraiser series was the best yet. While it never was more then a decent film, it did enough to make it a worthwhile horror movie with a pretty deranged killer, Pinhead. Like the others, the past history of this whole ordeal is brought up often and in more detail to show the viewers the backstory about how things came to be this way. I enjoyed how things took place in the real world this time instead of like the first two films which mainly took place in a crazy, outer world full of strange unexplainable demons. There were still some ridiculously dumb parts but at least having Pinhead be on earth and seeming more like a true slasher murder, it brought something more to the film. This one left off with a lead in to the next film and lets hope they build off this one and make the series even better.
December 25, 2014
The cigarette Cenobite is ridiculous.
½ December 21, 2014
another supermarket DVD 2.99 DVD combo pack purchase
November 4, 2014
Another sequel with a different director not surprisingly results in diminished returns. The strongest aspect of Hellbound: Hellraiser II was the continuity of the characters and story with the first movie. Sadly, this movie discards Kirsty and her story, for the most part, and replaces her with a new protagonist. Despite the fresh set of characters, the movie starts of respectably. The new main character works well; she is a filed news reporter, who stubbles on the path of some unexplainable dark magic and inquisitively digs deeper. It is unclear what the result of the second movie was exactly, and it is not clear for some time here either. Dramatically it turns out the Pinhead has split into two separate forms. One is his past identity that rediscovered in second, and the other is the demonic evil in him. The evil half aims to free himself and rule over humanity. A little more explanation would be nice, but this is all respectable at this point. It is not until Pinhead comes to earth that things plummet. Suddenly, the dark tone and story with consequences from the first two and a half movies go out the window, and it turns into a Freddy Kruger-like joke. New poorly thought-out Sinabites emerge to change the pace; they are ridiculous and awful. Numerous over the top intentionally corny kill scenes kill the mood. It is almost as if the director changed at the three-quarter mark. The movie climax and finale are just bad and ruin a decent start. Fans of the first two will feel let down. The only people who might approve are fans of Freddy and Jason, which is really a disappointment, even for a third movie.
½ November 2, 2014
This edition in the series was gory and showed us new demons but that was about it. Should have had a better story.
October 29, 2014
The hellish visuals are still cool, but the story is nonsense and Pinhead's scare factor is gone.
October 25, 2014
I can't believe that there are like eight of these movies and they are still making them, yet no remake of the original. This one was really bad. It was just really boring and the characters were forgettable. 1 is the best and 5/5. 2 is about a 4/5. This is well, yeah....and disregard the content raters for this series. They all have graphic violence, the series is very gory.
October 20, 2014
Basically throws the rules the previous two movies had set up out the windiw! Pinhead is a shadow of his former self, spouting blasphemous puns and creating technological Cenobites that are verging on the ridiculous
½ September 25, 2014
Fans of the franchise created by imaginative British author Clive Barker know that the story was sufficiently summed up at the end of the first film. But since the first rule of Hollywood is that nothing this profitable never dies we now have "Hellraiser 3", and while it's by no means great, it is the last film in the series that really tried to be.

The problem with a film that was made purely in pursuit of profits is that there really isn't a story to be told, and that's the one thing that plagues this well made but completely unnecessary picture. Anthony Hickox was the go-to guy in the early 1990's for skillfully made but cheap sequels, and the guy really has a flair for them. The conclusion of this is a lot of fun, even if it is a bit of a riff on "Carrie," because you get to see Pinhead and his compadres wreak havoc in our world for a change.

However, so much of the set-up feels very familiar. The Kevin Bernhardt character is interesting and reminiscent of Sean Chapman from the first film, but he's disposed of all too quickly. There's an interesting backstory here involving the actor who has portrayed Pinhead in all of the films, Doug Bradley, getting a rare chance to shine in his human form, but it doesn't do enough to add to the mythology of the franchise.

The original Cenobites are traded out for humans-turned-demons this time out including a DJ killing people with CD's and a cameraman spouting silly one-liners, and none of that really works either. "Hellraiser 3" is good only when compared to the desperate films that would follow. This is too much of a let-down.
½ September 25, 2014
The revelation of his own former humanity has resulted in the Cenobite Pinhead (Doug Bradley) being split into two distinct entities: his former self, World War I British Army Captain Elliot Spencer (Doug Bradley), and a manifestation of Spencer's id, which takes on the form of Pinhead. While Spencer ends up in limbo, Pinhead is trapped, along with the puzzle box, amongst the writhing figures and distorted faces etched into the surface of an intricately carved pillar - the Pillar of Souls. The pillar is bought by the rich and spoiled J.P. Monroe (Kevin Bernhardt), owner of a popular nightclub called The Boiler Room. During her investigation, an ambitious young television reporter, Joey Summerskill (Terry Farrell), slowly begins to learn about Pinhead and the mysterious puzzle box. Joey is introduced to the pain the box can bring when she views a teenage clubgoer being ripped apart by the box's chains in a hospital emergency room. Joey tracks the box and a young woman named Terri (Paula Marshall) to The Boiler Room nightclub. Terri had previously stolen the box from the nightclub. Video tape interviews are recovered from the Channard Institute of one of Pinhead's former victims Kirsty Cotton (Ashley Laurence). Joey and Terri learn through the videos about the demonic Cenobites and the power of the Lament Configuration puzzle box and that it is the only means of sending Pinhead back to Hell. Pinhead remains dormant until one night several hooked chains shoot out of the pillar and rip into one of the club goers, Sandy, whom Monroe had just recently slept with. After killing Sandy, Pinhead consumes her flesh and her distorted face appears on the pillar. Pinhead convinces Monroe to bring him more club members so he can feed on them and be freed from the pillar. Meanwhile, Joey is contacted by the spirit of Elliot Spencer, who tells her that this "Pinhead" is a separate entity than the one encountered by Kirsty previously. Without Spencer's humanity to act as a balancing influence, this Pinhead is completely evil and has no sense of order. Rather than abide by the laws of the Cenobite realm, he will indiscriminately wreak havoc on Earth for his own pleasure unless he is stopped. In order to defeat him, Joey must reunite Spencer's spirit with Pinhead, fusing them back into a single entity...

The third act of the Hellraiser series gives us both high marks and low marks. The storyline has suddenly taken some sort of teen slasher turn and gives us a bit of a weak plot/foundation with plenty of gore. The oh so lovely Terry Farrell and the same goes for a young Paula Marshall adds female flair to the story, and Doug Bradley´s Pinhead does have a few rememberable scenes (like the church scene when he mimics the Jesus Christ pose). But, the direction and photography is a way too B-classy, the acting pretty uneven and the design of the "new" Cenobites is not really pleasing. "Hellraiser III: Hell on Earth" is sort of so so.
½ August 31, 2014
Ok, as if it wasn't weird enough before, well now it's getting weirder but also a bit silly. Again picking up vaguely where the first sequel left us, we now watch as a perverted slime-ball nightclub owner purchases the freaky column that houses all the souls of those that have fallen victim to the box. Of course it's only a matter of time before those trapped inside are freed having feasted on more human flesh. Having previously criticised the series for not devoting enough screen time to Pinhead and his cenobites, this instalment is focused entirely on him, in his human state, and his tortured form. Alas, his mates aren't with him this time though. In my opinion, it does kind of lose its way a bit more in this one given that the new breed of cenobites are allowed to roam free in the nightclub, streets and churches destroying anything in their path. It's lost that focus upon its central characters, as well as that S&M feel to it when everything was set within the dungeon like torture room, and it's become more of a trashy zombie flick. When you have baddies called CD head who fire compact discs to kill people, you know the concept is struggling for ideas. The previous lead has deserted the cast in this one so we have a new journalist as the heroine, but although there are still some connections to the originals, all ties are now pretty much severed (as well as a few more limbs). What I hadn't realised, until just now, is that there are in fact several more sequels, none of which I suspect will surpass Hellraiser 1 or 2. I'm guessing they're just another excuse for random gore effects and soft porn as opposed to the unique horror story classics that the early chapters have become.
August 29, 2014
The bloodiest in the franchise!
½ August 5, 2014
At first I was put off by this film due to pacing. The first 2 were much slower, but after I adjusted and started getting into the film, I realized it was unique and had its own style. This film, I feel, is bashed unfairly. It's really not that bad, in fact it's had a good idea, Doug Bradley being a badass, and is good movie in general.
July 18, 2014
End credits song by Motorhead is honestly highlight of this movie. Poorly written and even worse acting.
July 7, 2014
Well you know how when you like a horror series and you seem to like one of the entries more than everyone else? I think this one is the Hellraiser of that scenario for me. I loved this movie it's highly underrated. It's far less creepy or violent than the first two its still just as great as a film. Pinhead is amazing in this one, the kills are epic and in the first time in the series we get a little bit of comic relief (don't worry it was in a minute but still hilarious.) I don't know why but this one really worked for me. A great third entry.
June 12, 2014
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½ May 12, 2014
The mysterious box and Pillar of Souls now passes to a nightclub owner with a reporter snooping around for her big break story. Okay but series already becoming somewhat redundant and stale. A good hard rock soundtrack though, with Motorhead hilighting closing credits.
½ March 25, 2014
What a giant step down.
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