The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A powerful, original look at the hopeless urban underclass in the American city, where lost people nibble at the garbage of our culture -- in a kind of perverse application of the "trickle-down" theory -- hating themselves and us all the while.
McNaughton's rough, non-judgemental direction gives the film a stylishly chilling documentary feel, while the killer's use of a camcorder asks some challengingly uncomfortable questions about voyeurism and the nature of screen violence.
The difference between John McNaughton's incredibly chilling film and the usual serving of screen carnage is the difference between the mind of a murderer and the cynical and manipulative depiction of mindless murder.
Sure, it's compelling; the nature of the material guarantees that. But it doesn't seem to be telling us much more than that the world is a scary place and murder is ugly. We knew those things. This is tabloid chic.
From a technical standpoint, Henry is amateurish. But ultimately it's not the gilded frame that made it a modern horror classic, but its unblinking portrait of a remorseless killer who stares back at the audience and forces them to turn away.