Helter Skelter

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36%

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User Ratings: 120
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Movie Info

LiLiCo, a successful model and television personality, seems to have it all until a long-buried secret threatens her career. She descends into a world of nightmares as she desperately tries to retain her perfect image.

Cast & Crew

Kaori Momoi
Hiroko tada
Kiko Mizuhara
Kozue Yoshikawa
Nao Ômori
Makoto asada
Mieko Harada
Hisako waku
Yôsuke Kubozuka
Takao nanbu
Arisa Kaneko
Screenwriter
Hiroaki Kitano
Executive Producer
Ryûichi Ikeda
Executive Producer
Hidetaka Kanaya
Executive Producer
Tetsuya Nasuno
Executive Producer
Koji Ueno
Original Music
Daisuke Sôma
Cinematographer
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Critic Reviews for Herutâ sukerutâ (Helter Skelter)

All Critics (2) | Fresh (1) | Rotten (1)

  • Ninagawa presents the life of Lilico in a parallel with the lives of the geishas of old times, that had to do everything their "Mom" told them, while having to reach extreme measures in order to look beautiful according to the standards of the era.

    November 2, 2018 | Full Review…
  • Themes of the transience of fame and its corrosive effects on the soul are as clear as mud, but Ninagawa can't help fetishising her star's doll-like beauty.

    September 27, 2017 | Rating: 3/5 | Full Review…

Audience Reviews for Herutâ sukerutâ (Helter Skelter)

  • Oct 22, 2012
    Based on a popular manga about the exploitative and terrifying underbelly of the culture of beauty models and teenage icons that grace the magazine covers in Japan. Faultless airbrushed skin, bright colours and striking poses hide a dark strain on those constructed and marketed pieces of flesh, it what the narrative wants to capture, however the film itself has the airbrushed skin, bright colours and striking visuals but it is empty and lifeless in a jumbled narrative that is all over the place. The director, Mika Ninagawa, herself coming from a background of photography and there are some really great visuals. There are these 5-6 minute collages of image and sound that really work, creative a real visceral feel bursting with energy but once these collages stop and narrative kicks in, there is corny dialogue, bizarre plot inclusions and a hell of a lot of seemingly pointless junk. Sometimes I felt that the only reason why a scene was included was just to provide a striking visual rather than move the plot in any positive direction. Then there is the ending, the movie builds to this really strong climax, working on its striking visual strength, but it doesn't end there and 3 different endings come after it, all dreadful and cringe-worthy. Just like the rest of the film, impressive visuals eclipsed by terrible storytelling.
    Hassan V Super Reviewer

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