Hi, Mom!

1970

Hi, Mom!

Critics Consensus

No consensus yet.

73%

TOMATOMETER

Reviews Counted: 11

56%
liked it

Audience Score

User Ratings: 3,053

TOMATOMETER

N/A
All Critics | Top Critics
Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0

AUDIENCE SCORE

56%
Average Rating: 3.3/5

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Movie Info

Writer/director Brian DePalma's sequel to his 1968 counter-culture comedy "Greetings" is an even wilder attack on the insanity of bourgeois life in modern America. Although the film focuses on an amateur pornographer who tries to turn professional, the highlight is an extended sequence of a white-liberal audience being thoroughly humiliated and abused by the African-American cast of the avant-garde play "Be Black, Baby!"--which is being broadcast on the "NIT" ("National Intellectual Television") network!

Cast

Robert De Niro
as Jon Rubin
Charles Durnham
as Superintendent
Jennifer Salt
as Judy Bishop
Allen Garfield
as Joe Banner
Lara Parker
as Jeannie Mitchell
Charles Durning
as Superintendent
Abraham Goren
as Pervert in Theater
Gerrit Graham
as Gerrit Wood
Nelson Peltz
as Playboy
Peter Maloney
as Pharmacist
William Daley
as Co-op Neighbor
Hector Valentin Lino Jr.
as N.I.T. Journal Revolutionary
Carole Leverett
as N.I.T. Journal Revolutionary
Ruth Bocour
as N.I.T. Journal at Newsstand
Buddy Butler
as "Be Black, Baby" Troupe
Bart DePalma
as N.I.T. Journal at Newsstand
Arthur Bierman
as N.I.T. Journal at Newsstand
Joe Fields
as Audience Member
Gene Elman
as Audience Member
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Critic Reviews for Hi, Mom!

All Critics (11) | Top Critics (1)

Audience Reviews for Hi, Mom!

½

This movie is more of a documentary about radical New York film and theatre groups in 1970. It's really uneven and all over the place, and the end doesn't make any sense. Overall, it's interesting, but not a good movie.

Aj V
Aj V

Super Reviewer

My guess is it's a 'you'll get it or you won't' kind of movie. Personally I found it a pleasantly surprising quirky film and the title of course reveals itself toward the end. Some quite controversial issues rise and as regards to storytelling, this is not such a straight forward film in the usual sense, in fact in many ways it's quite arty.

Lady D'arbanville
Lady D'arbanville

Super Reviewer

Continuing the hilarious scenario fro Greetings, this is an even better film with a lot more direction and better acting. Robert De Niro continues to dominate the screen as Jon Rubin, the suave peeping tom/porn film-maker. His sense of humor and deranged sincerity is like no other actor. He tries to go professional after coming back from Vietnam, where he found himself at the end of the previous film. This has an extreme sense cultural relevance of the late 60s-early 70s, dealing with the hippie culture, the end of the civil rights movement, etc. It’s just so full of life that you can’t help but admire Brian De Palma for shooting reality. While some might say it’s a black comedy, I feel that it’s just as much an accurate reflection of New York at the time.

Conner Rainwater
Conner Rainwater

Super Reviewer

Before turning into a suspense auteur, Brian DePalma directed this subversive little film, heavily inspired by the vanguardist french nouvelle vague. A sequel of "greetings" in which he let DeNiro run the show with amazingly funny results.

Pierluigi Puccini
Pierluigi Puccini

Super Reviewer

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