The Walking Dead
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
Essential viewing for cineastes while still offering rich rewards for neophytes, Hitchcock/Truffaut offers an affectionate -- and well-crafted -- tribute to a legend.
All Critics (114)
| Top Critics (30)
| Fresh (109)
| Rotten (5)
Despite its historical subject, "Hitchcock/Truffaut" adeptly proves the timelessness of cinema.
Jones has laid enough of a foundation on Hitchcock's style that viewers can watch one of cinema's most famous moments with fresh eyes.
It brings the pages to life with clips and photos and the sound of the directors talking seriously and less seriously.
Pretension is always with us, but the documentary's main effect will surely be to make you want to see Hitchcock's films (including the marvel that is Marnie) all over again.
An engaging film.
Anytime you get smart and accomplished filmmakers talking about film, theory and their respective styles, the results are rewarding.
In the end we remember the friendship that united Truffaut and Hitchcock, the communication they continued to have over the years. [Full review in Spanish]
Necessary viewing for film lovers.
Hitchcock/Truffaut isn't just an invaluable in-depth study of one of cinema's greatest masters, it's also an incredible text about two artists who admired each other.
Cineastes will love Hitchcock/Truffaut, and film students shouldn't miss it.
This is a film for movie buffs that even the casual movie fan can appreciate.
A manifestation of the passion that cinema sparks, as exemplified by one of the most significant acts of filmic obsession in the medium's lifetime.
What could have been a more perceptive discussion about Truffaut's seminal book turns out to be frustratingly superficial instead, moving quickly from one topic to the next without much sense of focus and not managing to offer much insight beyond the most reverential obvious.
The success of documentary is usually based on how much you already know and how much you learn about the main subject of the film. I knew a bit about Hitchcock, but I never dug deep into his archival footage or books written about him to understand the full psychology of the master of suspense. Hitchcock/Truffaut is a fascinating look into several of Hitch's films, and even some of Truffaut's, even if it is a little too short to call it a full exploration. Director Kent Jones gathers several of Hollywood's greatest filmmakers, including Martin Scorsese, Richard Linklater, Peter Bogdanovich, and David Fincher, to discuss Hitchcock's influence on the art of cinema and some of his most effective features. These commentators are certainly insightful, but you don't get enough from each of them to get full satisfaction. The film is based around a conversation between Hitchcock and Truffaut that took place in 1962. Truffaut, an up and coming filmmaker at the time, provides the viewer (or reader) a glimpse into what it would be like to interview the legendary filmmaker yourself. In many ways, Truffaut gets to ask all the questions any fan of Hitchcock has always wanted to ask. Whether it's addressing his catholic roots, sexual undertones in many of his features, his transition from silent film to talkies, the dreamlike quality to the films, or his iconic use of "god's eye" camera angles, it's all covered. As a film junkie, this type of coverage on one filmmaker is a dream come true. Again, the one thing I think the film could have improved upon was just giving more of everything and spending even more time on his expansive filmography. Spending a good chunk of time on Vertigo and Psycho was definitely needed, but I would love a more in-depth look at plenty of other films of his as well. However, overall, this documentary is a joy to watch, especially considering it's brilliant filmmakers commenting on Hitchcock, who is one of the greatest.
A fascinating listening to the oral history put forward by Hitchcock through his interviews with Francois Truffaut. Visuals are an added bonus.
THE MEN WHO KNEW SO MUCH - My Review of HITCHCOCK/TRUFFAUT (3 Stars)
When I attended film school at UCLA, one book, which was considered required reading, stood out from among so many others. HITCHCOCK/TRUFFAUT, in which then-burgeoning director, Francois Truffaut, sat down in 1962 in a windowless Hollywood office with Alfred Hitchcock and a translator for a weeklong series of interviews that went film by film through his entire career. Recorded for posterity, think of it as one of the most fascinating podcasts ever committed to tape.
Kent Jones' documentary, in turn, feels like required viewing for lovers of the cinema. Using talking heads-style interviews with a great roster of directors including Martin Scorsese, Wes Anderson, Peter Bogdanovich, Richard Linklater, Paul Schrader, and most effectively, David Fincher, the film serves not only as a great document of the interviews, but an inspiring dissection of what makes film the most impactful art form of the past 100+ years.
At the time, Hitchcock wasn't taken seriously yet as an artist, his films considered light entertainments, while Truffaut was just at the beginning of his career and also working as a film critic for the influential publication, CAHIERS DU CINEMA. Once they sat down to talk, Truffaut worked his way through Hitchcock's career, film by film, sometimes shot by shot. The level of detail impressed me in the book and made me want to discover my own filmmaking aesthetic. The film shows how he influenced generations of other filmmakers. Additionally, we get the added treat of hearing bits and pieces of the interviews, though at times the intrusion of the translator became distracting.
It's a small price to pay for the little gems in this film. Yes, Hitchcock thought of his actors as cattle and you hear in his own words how he didn't really care what they thought. Despite this, the man had an obvious enthusiasm for his work and took great pride in those moments of pure cinema in his films, such as the famous shower sequence from PSYCHO. Sadly, we learn very little about Truffaut in this documentary. I found it fascinating that his own films never felt Hitchcockian despite his obvious admiration for the man's work, and I would have loved to have known why.
I suppose you can be a fan without feeling the need to be a copycat. Hitchcock demonstrated a great grasp of geography within a scene, how to establish his characters through point of view, and how to achieve a window into their psychology, sometimes without having them utter a single line of dialogue. HITCHCOCK/TRUFFAUT may be one only for fans and film students, but anyone who loves great, cinematic storytelling may find value in this swift, lovely primer on the subject.
There are no approved quotes yet for this movie.