Hitler's Hollywood (2018) - Rotten Tomatoes

Hitler's Hollywood (2018)

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Filmmaker Rüdiger Suchsland suggests that the Third Reich was essentially an immersive movie starring the German nation, produced and directed by Propaganda Minister Joseph Goebbels. Hitler's Hollywood collages key films from the more than 1000 features the Nazis produced from 1933-1945: musicals, melodramas, romances, costume dramas, war films and when the real war got tough, insanely lavish, over-the-top fantasies. The German volk were portrayed as happy and sporty with lives of exaggerated cheerfulness or, conversely, full of morbid yearning for a death that would serve the Fatherland. Hannah Arendt gives perspective and context: One of the chief characteristics of modern masses (is) they do not trust their eyes and ears, but only their imaginations. What convinces masses are not facts, not even invented facts, but only the consistency of the illusion. It's a frightening insight that could just as easily apply to the American political landscape today. - Karen Cooper, Film Forum

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Critic Reviews for Hitler's Hollywood

All Critics (9) | Top Critics (3)

A cavalcade of images, icons and ideas that, while less innovative, are every bit as eye-popping in their own way as The Cabinet of Dr. Caligari, Nosferatu, and Metropolis are in theirs.

April 11, 2018 | Rating: 3.5/4 | Full Review…

Fascinating for history and film buffs alike.

April 11, 2018 | Full Review…

Part of what's alarming about "Hitler's Hollywood" is that it's easier to be seduced by these comedies and melodramas, at least in excerpts, than it is to endure Leni Riefenstahl's propaganda film "Triumph of the Will" today.

April 10, 2018 | Full Review…

Suchsland's verbose essay film never successfully surpasses the realm of mere academic curiosity.

April 12, 2018 | Rating: C- | Full Review…

"Hitler's Hollywood" is a nightmare and a warning in the least expected package: a cinema studies crash-course. It's up to us in the audience to learn from it.

April 11, 2018 | Full Review…

A fascinating but often pummeling blitzkrieg of clips, commentary, fleeting names and film titles.

April 11, 2018 | Full Review…

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