Hål i mitt hjärta, Ett (A Hole In My Heart) Reviews

April 23, 2019
Not a film that's easy to enjoy, it's nevertheless one that you won't forget in a hurry.
April 1, 2006
December 6, 2005
May 21, 2005
The question is: do we need to be hauled through scene after scene of drab, dehumanized behavior so that we may see, or at least hear, humanity restored at the end?
April 13, 2005
Moodysson comes on like de Sade crossed with Godard, yet by locking us outside of his characters, he fails to make them even contemptuously compelling.
April 11, 2005
An experimental, transgressive work that pretty much fails on every level.
April 9, 2005
Moodysson doesn't use this borrowed aesthetic to study what's on his plate; he's just out to cause a scene.
April 8, 2005
The film is yet another proof of Moodysson's fearlessness and his willingness to push forward and break through the boundaries of convention.
April 8, 2005
It's harrowing to watch just how far these four actors are willing to go to bring Moodysson's vision to life, and their dedication commands respect, even as it dares you to keep your eyes on the screen.
April 8, 2005
Will disgust many (probably most) viewers as it cements Moodysson's reputation as one of today's most daring filmmakers.
April 8, 2005
The degradation inflicted on the characters in Moodyson's A Hole in My Heart is also inflicted on the viewers... an excruciating and appalling experience.
April 7, 2005
It's a mystery what the Swedish filmmaker Lukas Moodysson thought he was up to in A Hole in My Heart, a movie teeming with ugly images and grotesque behavior.
April 7, 2005
I can't imagine a worst film being released this year.
April 5, 2005
Antic, if not funny.
January 30, 2005
A cinematic challenge that eats slowly at the soul but never insults the audience or its characters.
January 30, 2005
Moodysson doesn't seem to realize the difference between a film that's disturbing yet provocative, and a film that's just amateurish and gross.
January 30, 2005
a nihilistic barrage of sound and image that belongs somewhere between a Lars Von Trier Dogme film and the early work of Gregg Araki.
January 26, 2005
Sends your brain whirring as well as your stomach churning -- quite a feat.