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Despite some execution problems, Holly remains a realistic and gritty look at child sex slavery.
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All Critics (23) | Top Critics (12) | Fresh (15) | Rotten (8)
Quote not available. November 18, 2011 | Rating: 3/5 | Full Review…
Quote not available.
Hank Sartin
Quote not available. November 17, 2011 | Rating: 2/5 | Full Review…
Maitland McDonagh
Quote not available. October 18, 2008 | Rating: 3/5 | Full Review…
Josh Rosenblatt
Ultimately, Holly might have been more effective as a documentary. November 30, 2007 | Rating: 2.5/4 | Full Review…
Ultimately, Holly might have been more effective as a documentary.
Michael Snyder
Despite its best intentions, Holly never achieves the dramatic clarity it needs to put its human suffering into galvanizing perspective. November 30, 2007 | Rating: 2.5/4 | Full Review…
Despite its best intentions, Holly never achieves the dramatic clarity it needs to put its human suffering into galvanizing perspective.
Jeff Shannon
Well-meaning but terminally dull. November 30, 2007 | Rating: 2.5/5 | Full Review…
Well-meaning but terminally dull.
Josh Bell
It's realistic enough to admit that there's probably no way to ever completely eradicate an evil for which there seems to be such an eager demand. November 29, 2007 | Rating: B | Full Review…
It's realistic enough to admit that there's probably no way to ever completely eradicate an evil for which there seems to be such an eager demand.
William Arnold
Moshe and co-screenwriter Guy Jacobson use their white protagonist not cynically to exploit white guilt, but to excavate it and examine its possibilities and failings with an anthropological eye. November 25, 2007 | Rating: 3/4
Moshe and co-screenwriter Guy Jacobson use their white protagonist not cynically to exploit white guilt, but to excavate it and examine its possibilities and failings with an anthropological eye.
Peter Canavese
...it's easy to imagine how another director might have felt the need to switch to slo-mo and cue the violins. November 21, 2007
...it's easy to imagine how another director might have felt the need to switch to slo-mo and cue the violins.
Luke Y. Thompson
While Yaron Orbach's camera repeatedly evokes Patrick's navet and yearning, the setting also remains resolutely "foreign." November 14, 2007 | Full Review…
While Yaron Orbach's camera repeatedly evokes Patrick's navet and yearning, the setting also remains resolutely "foreign."
Cynthia Fuchs
Despite a strong performance by Livingston, the film is sunk by sluggish pacing, straight-ahead plotting and an unresolved ending -- not to mention its inability to convince us that anything much can be done about sexual slavery. November 9, 2007 | Rating: 1.5/4 | Full Review…
Despite a strong performance by Livingston, the film is sunk by sluggish pacing, straight-ahead plotting and an unresolved ending -- not to mention its inability to convince us that anything much can be done about sexual slavery.
Kyle Smith
Half drama, half social tract, Guy Moshe's feature debut is meant to illustrate the horrors of child prostitution in Southeast Asia. The intentions, unfortunately, are more notable than the execution. November 9, 2007 | Rating: 2/4 | Full Review…
Half drama, half social tract, Guy Moshe's feature debut is meant to illustrate the horrors of child prostitution in Southeast Asia. The intentions, unfortunately, are more notable than the execution.
Elizabeth Weitzman
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