Mary Poppins Returns
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All Critics (116)
| Top Critics (35)
| Fresh (58)
| Rotten (58)
| DVD (11)
Guided by Michael Cunningham's witty screenplay--he also wrote the hypnotizing novel of the same name--the actors celebrate a new notion of family.
Flawed but sincere -- the sort of thoughtful, adult movie that rarely appears in the summer.
Despite some very good acting in most roles, the people on the screen seem like types with labels.
It may sound like grade-A melodrama, but A Home at the End of the World turns out to be much more ambitious -- and, unfortunately, less interesting.
Casting is everything in a film like this, and in the major roles, Mayer scores two out of three.
Although the actors do a magnificent job with the piffle, the characters hardly ever act the way real people do in the situations they are presented with. They act, instead, the way characters in a movie act.
Great acting, but soap opera-ish. Not for kids.
shorter than THE HOURS and this is the main reason why Michael Cunnigham should be pleased with this adaptation of his work
First-time film director Michael Mayer ... does a magnificent job of drawing subtle, honest performances out of the entire cast.
Whether Colin Farrell is cast-against-type or miscast in this mediocre adaptation of Cunningham's evocative novel is a matter of debate
Fantastic performances, a wonderful script and solid direction by Michael Mayer place A Home at the End of the World among the year's finest movies.
The movie makes the characters worse than enigmas; it makes them the last people imaginable from which you expect or even desire to learn anything.
I'm so used to fast-paced American film, that when a real story unfolds i have to force myself to slow down and pay attention. That was the case here, and it was worth hanging in for. It's a beautiful look at love in all its permutations and family and how getting family and love doesn't always follow the official playbook.
A free-spirited, sexually flexible threesome form a makeshift family unit during the 1980s.
Colin Farrell wasn't as annoying as he could have been. That's the best that I can say about his performance in this nice, sincere film. He plays Bobby with a childlike innocence, and the film as a whole takes on his naivete, which isn't necessarily a bad thing because it's about characters who create their own oasis in a world that attempts to thrust them into limiting categories.
Dallas Roberts's Jonathan carries the film; his character has the most conflict and the most to gain out of the peace that the characters eventually establish, and Roberts's naturalistic performance is eminently believable. Robin Wright's work as Clare reminds me of Anne Hathaway's performance in Rachel Getting Married because it seems like an actress playing edgy and strange for the sake of edgy and strange; she's not believable in a role that doesn't work for her.
Overall, I liked A Home at the End of the World because its theme of defying social perceptions in favor of a small community - a cadre of love - charms me despite my cynical belief that such a group could never exist in real life.
Unconventional people do unconventional things in this daring screen adaptation of Michael Cunningham's story about members of a love triangle that decide to be and to have a family together. But how is that sort of thing done? Somebody's feelings are bound to get hurt ... an amazing Colin Farrell and the always luminous Sissy Spacek steal the show in this adult themed family introspective about wanting to have a home.
Colin Farrell and Sissy Spacek give masterful performances.
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