Honeydripper Reviews

November 16, 2011
November 16, 2011
November 16, 2011
October 18, 2008
While this may not be the rowdiest birth-of-rock-'n'-roll film ever made -- it's very likely the least rowdy -- Sayles addresses a transitional moment in his own patient, precise way.
June 10, 2008
March 7, 2008
It survives on its versatile leads, its smoky cinematography (courtesy of Dick Pope) and its seductive musical performances, which run from gospel to jazz to blues to the to the electrifying kick-start of early rock 'n' roll.
February 29, 2008
Even more than the music in this musically rich picture, the great pleasure of Honeydripper is in watching Danny Glover as Tyrone Purvis, the club owner.
February 22, 2008
Although Honeydripper won a screenplay award at the San Sebastián Film Festival, it's not Sayles' strongest work. Part of the problem is that it keeps building to a rock-'n'-roll payoff that never quite arrives.
February 21, 2008
Trudging nobly under a mantle of impeccably earnest intentions and a fussy, too-quaint-by-half production design, Honeydripper lags and drags to its utterly predictable end. There's not a spark of spontaneity or soul about it.
February 8, 2008
It has all the reliable components of Sayles' films: a strong social conscience; well-drawn characters whose lives overlap convincingly; a languid pace that allows for the honest unfolding of their foibles and fears; a vivid evocation of a place and time.