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Critic Reviews for Hurlyburly
Hurlyburly earns its keep, in the end, with writerly flash and dramatic virtuosity.
All the time, you hear the wooden clunk of a theatre which still thinks that Eugene O'Neill is a great writer of natural dialogue.
Rabe has streamlined the dialogue, sacrificing a lot of funny throwaway lines without lessening the script's burden on our patience.
This black alleged comedy wouldn't be funny at all if it weren't for Kevin Spacey's droll wit and silly bleach do. Sean Penn's self-indulgent performance and the unfocused script make sitting through Hurlyburly a chore.
Depicts hedeonism as a grim exercise in cynicism, betrayal and emptiness.
Audience Reviews for Hurlyburly
Self-indulgent b.s. Spacey proves he can talk a million-miles-a-minute about a whole lot of nothing.
With this cast, the film should have been so much better than it is. It's a pleasant enough ride, that ultimately goes nowhere.
I've read a lot of feedback to this film, which is by and large rather negative. I've noticed that people who dislike the characters occupying Hurlyburly often criticize the film itself as a result. We are not intended to embrace the lifestyles of these characters. This is a picture that encompasses a sub-culture and the neuroses of certain types of people. It is an intelligent, articulate piece with a venomous sense of cynicism and blunt sensibility. The men focused on are self-obsessed chauvinists, but they are not reduced to amplification of their flaws. Their pain and dilemmas are familiar, and they serve towards an unnerving portrait of emptiness. I loved this movie because I love great acting. Watching what some of these actors do with the script is so exciting and astonishing, particularly the brilliant Sean Penn. The writing and performances are phenomenal, but this is a movie that probably only appeals to people who like stage-oriented pieces.
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