The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Often gripping at a straight thriller level, but increasingly weakened by its fuzzy psychology, Kathryn Bigelow's The Hurt Locker doesn't bring anything new to the table of grunts-in-the-firing-line movies.
Don't believe the hype. This is a cliche-ridden mess which treats Iraqis like zombies or creatures from outer space. Peace activist Chris Hedges should have sued the director for allowing his words to serve as an epigraph for this sorry flick.
Locker is merciless in its wretched view of life during wartime. IEDs, suicide bombers, even old-school sniper fire -- all these things are around to remind soldiers that death is imminent at any waking minute.
I wasn't exactly blown away by it (no pun intended here at all), but it remains an engaging film. There's certainly a great story to be told in here somewhere, it's just not the great film I've been hearing about.
The Hurt Locker is a frequently gripping film that contains some terrifically detailed sequences; not only depicting the process of defusing bombs but also depicting just how complex the act of targeting and firing a gun can be.