The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Hurt Locker is about Iraq in the same way that Paths of Glory was about World War I or Full Metal Jacket was about Vietnam -- which is to say, utterly and not at all. The Hurt Locker is a great movie, period.
Overwhelmingly tense, overflowing with crackling verisimilitude, it's both the film about the war in Iraq that we've been waiting for and the kind of unqualified triumph that's been long expected from director Kathryn Bigelow.
Despite its pumped-up admiration for our troops and some scenes that spurt adrenaline like a fire hose, this sort-of-thriller about a bomb squad working in 2004 is stretched both timewise and for plausibility.
Instead of setting out to prove a point, it seeks to immerse us in an environment -- something Bigelow does with a conceptual rigor usually associated with those directors whose work is confined to film societies and art houses.
Tensely action-packed and muscularly directed by Kathryn Bigelow, this tale of an elite U.S. army bomb disposal unit in Baghdad is a familiar story in new clothes, targeted at the young male demographic.
Often gripping at a straight thriller level, but increasingly weakened by its fuzzy psychology, Kathryn Bigelow's The Hurt Locker doesn't bring anything new to the table of grunts-in-the-firing-line movies.