I Confess (1952)



Critic Consensus: No consensus yet.

Movie Info

Based on the turn-of-the-century play Our Two Consciences by Paul Anthelme, this Alfred Hitchcock film is set in Quebec. Montgomery Clift plays a priest who hears the murder confession of church sexton O.E. Hasse. Bound by the laws of the Confessional, Clift is unable to turn Hasse over to the police.

Rating: Unrated
Genre: Drama, Classics
Directed By:
Written By: George Tabori, William Archibald
In Theaters:
On DVD: Sep 7, 2004


as Father Michael Logan

as Ruth Grandfort

as Inspector Larrue

as Willy Robertson

as Otto Keller

as Alma Keller

as Pierre Grandfort

as Father Millais

as Murphy, a policeman

as Vilette, the lawyer

as Father Benoit

as Farouche

as First French Girl

as Night Watchman
Show More Cast

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Critic Reviews for I Confess

All Critics (23) | Top Critics (5)

The movie is more interesting than achieved: it's the most forthright statement of the transference theme in Hitchcock's work, but it's also the least nuanced.

Full Review… | March 20, 2012
Chicago Reader
Top Critic

While Hitchcock short-changes on the expected round of suspense for which he is noted, he does bring out a number of topflight performances and gives the picture an interesting polish that is documentary at times.

Full Review… | August 24, 2008
Top Critic

A good, workmanlike thriller, I Confess is only fair-to-middling Hitchcock.

Full Review… | August 24, 2008
TIME Magazine
Top Critic

Alfred Hitchcock's famous talent for brewing a mood of fine suspense with clever direction and cutting is spent on a nigh suspenseless script.

Full Review… | March 25, 2006
New York Times
Top Critic

It's heavy going at times...

Full Review… | February 9, 2006
Time Out
Top Critic

It's entertaining, and the visuals speak volumes more than the over-cooked dialogue. Worth a look.

Full Review… | March 20, 2012
Empire Magazine

Audience Reviews for I Confess

Hitchcock's fans are bound to find something or another interesting in this simple crime drama, but I failed to hail any part of it. Not just the predictability, but the too-good-to-be-real love story also distracted me. Despite watching a work of fiction, I simply couldn't ignore that sort of execution.

familiar stranger

Super Reviewer


A murderer confesses his dirt to a Catholic priest, but will the priest keep his vow of silence ... even after the priest is accused of the crime? Like The Wrong Man, this (beautifully filmed in noirish black and white) is chock full of Catholic imagery and bravura performances by the principals, but the melodramatic script renders this only Hitchcock lite, which is still better than a lot.

Kevin M. Williams

Super Reviewer

I must confess, this is a fantastic movie! Any Hitchcock movie from the fifties is fantastic, really, and this movie is no exception to that rule. I love it.

Aj V

Super Reviewer

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