The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
I Now Pronounce You Chuck and Larry manages to insult gays, straights, men, women, children, African-Americans, Asians, pastors, mailmen, insurance adjusters, firemen, doctors -- and fans of show music. That's championship stuff.
With a tacked-on PC message and leaden attempts at humor, I Now Pronounce You Chuck and Larry is a movie that gives marriage, homosexuality, friendship, firefighters, children and nearly everything else a bad name.
In the credits, the filmmakers acknowledge Brooklyn firefighters who died on 9/11. It's an honorable gesture, but what of the previous two hours? What of the scenes portraying firemen as cigar-chomping, homophobic, misogynistic chumps?
The movie is often stupid. But coming from an industry institutionally terrified of being honest about its own sexuality, it feels brave, going a step further than 'not that there's anything wrong with that.'
Whatever gay stereotypes exist in this movie -- and they probably number in the hundreds -- the writers of the comedy are much tougher on morbidly obese people, hot women, the homeless, mailmen, unattractive women and particularly Asians.
Chuck & Larry wants it both ways, indulging in ass obsession and the lamest queer stereotypes since Franklin Pangborn was in short pants, then hoisting the rainbow flag at half-mast in a panicky cry for tolerance.