Critic Consensus: Empathetically written, splendidly acted, and beautifully photographed, Ida finds director Pawel Pawlikowski revisiting his roots to powerful effect.
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Critic Reviews for Ida
Ida is not only an evocation of early '60s Poland, the period of Pawlikowski's childhood, but a film that gives the illusion that it could have been made then.
Now that Paweł Pawlikowski's haunting Polish film has been nominated for a foreign-language Oscar, Ida is back in the conversation. Let yourself be enveloped by a modern cinema classic.
Nestled within its sins-of-the-elders narrative is a faintly charming cross-generational bonding picture, pairing a worldly cynic with a young girl taking her last gasp of secular air before giving her life to the Lord.
With her brassy, determined aunt, Ida sets off to find answers and discovers life beyond the convent walls in this leisurely but satisfying journey.
Don't adjust your set: the film is (strikingly) photographed in Bergman-esque shades of gray-and-white.
Audience Reviews for Ida
With a gorgeous and oppressive cinematography in black and white and aspect ratio of 1.37:1, this solid drama also does a flawless job in exploring the silence and empty spaces within the frames to underline the elusive void present in the lives of these two women.
This film isn't much interested in telling what is happening in the present, because the implications of the past are too great. A soon to be confirmed nun is sent away from her parish to meet her only living relative before she takes her vows. When they meet she learns a sad truth about her family, and realizes that her past is important, though she can't remember it. The film blends together the horror of the Jewish genocide that was the Holocaust, and the ever encroaching form of Communism that had a hold of Poland. The film balances these politics, while also showing the emotional struggle of the main character, who seems to see the beauty of forgiveness, but she herself cannot totally give into it. She doesn't have the authority to forgive, because she was an infant, but she can understand the ills of those who took her family from her. It's a mysteriously dark tale that has the ability to look and feel beautiful with its stunning cinematography and choice of shooting in black and white. This film is very powerful in its depiction of these characters, in this time, trying to find answers where none really exist.
The Christian and Jewish belief systems are two very different ideals, and watching a woman raised as a nun, realizing she has a Jewish aunt was fascinating to me. The back and forth they share once Ida realizes she is a Jewish nun was very well-executed. At a mere 80 minutes, this film flies by quickly and you are sucked right in. I felt myself wanting more by the end, even though they wrapped it up perfectly. The film did not have to take the few dark turns that it did, but aside from those, this is a near perfect film. Simple and to the point is the best way to make a film sometimes. Well-written, well-directed, and extremely well-acted by it's two leading ladies. With frames as uniquely and precisely shot as this film is, every shot counts in this picture, and I must say, "Ida" is a superb film.
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