Il Profumo della Signora in Nero (1974) - Rotten Tomatoes

Il Profumo della Signora in Nero (1974)

Il Profumo della Signora in Nero (1974)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Il Profumo della Signora in Nero Photos

Movie Info

In this unique, hallucinatory horror-thriller, chemist Sylvia begins to suffer from strange visions. It turns out that Sylvia stabbed her mother's sexually abusive boyfriend to death long ago, and now her visions are driving her mad. The other possibility is that Sylvia's friends are Satanists conspiring to cause her suicide.

Cast

Critic Reviews for Il Profumo della Signora in Nero

All Critics (3)

One of the most tense, and delectably unfathomable Italian horror films ever made... as pure as any cinematic depiction of descent into insanity.

June 17, 2014 | Rating: 8/10 | Full Review…

There's no lack of mood and atmosphere, key elements both, but there isn't enough anchoring them to plot or character for it to matter.

October 25, 2011 | Full Review…

... the hall of mirrors reflecting reality and fantasy back on one another is part of the fun and the Satanic reverberations of the conspiratorial climax only adds to the mystery.

April 1, 2011 | Full Review…

Audience Reviews for Il Profumo della Signora in Nero

½

More or less nails the shift of tone that all giallo should strive for - gentle absurdity in the beginning that segues into complete insanity. This is a slower one, leaden with exposition (especially in its first half), but it looks great, the performances are solid, and the ending is wild. Definitely worth it.

Drew Smith
Drew Smith

Super Reviewer

Not knowing anything about this movie before I sat down to watch it, I'd assumed from the title and the star (Mimsy Farmer, fresh from Dario Argento's Four Flies on Grey Velvet) that it was going to be a giallo. In fact, The Perfume of the Lady in Black owes more to that particular brand of psychological horror at which Roman Polanski used to excel. Indeed, albeit substituting voodoo for devil worship, there are definite echoes of Rosemary's Baby to be found here. Attractively photographed and nicely scored throughout, the film is technically a cut above much of the trash that was being made at the time, and even the typically bad dubbing cannot quite ruin Farmer's decent performance. Unfortunately, the plot makes no sense whatsoever and, though the movie is commendably and refreshingly bloodless for most of its running time, the incongruously gory climax leaves a nasty aftertaste.

Stephen M
Stephen M

Super Reviewer

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