The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
...not a biography by any conventional definition but an impressionistic survey of the artist, his art, his interaction (and at times collision) with the culture he both grabs onto and flees, and the mystery that still surrounds Dylan.
Haynes' film has no straight lines, it is all collage and pastiche and an endless series of intersections that all, quite improbably, lead to a startlingly accurate (if abstracted) vision of the many faces of Dylan.
The director's disappointment in Dylan's downward metamorphosis from outlaw poet, prophet and political idealist to cynic, egotist, wasted stoner, Jesus freak and recluse, is palpable, with a symbolic dirge for a body that has outlived its art.
This drama, a surreal, fractured examination of the mercurial singer-songwriter comes closer to revealing the man behind the music than anything that's come before, but still preserves his essential mystery.
A fascinating work for cinema and Bob Dylan fans alike. Haynes has painted a perfect picture tribute to the musical icon that only misses a beat in the final quarter. One actor simply couldn't do the man justice.