The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This is an impressive film, even though it seems like a kind of psychological-dramatic experiment. It combines fantasy and reality in interesting ways, depicting imaginary events and realistic events with equal conviction.
The result is one of those stories about storytelling that have become something of a post-modern specialty of elevated art. Ozon manages a light touch, however, so that Dans La Maison never feels too self-referential.
Has the slow-pulsing vertigo of a psychological thriller & the twists of an elaborate melodrama, but to reduce it to these labels is glib. Caustic & funny but never misanthropic. A study of the ways people actually live, rather than how we assume they do.
Occasionally too clever for its own good, the film may go one step too far, but Ozon manages the hybrid of genres beautifully and ultimately it is his superb cast that sells the nuances and the concept
Ozon and the script move a little too far afield and hold on a bit too long as the film approaches its end. Still, "In the House" has enough trippy truth to it to grab your interest and shake your mind.
An almost perverse delight, an egghead thriller that slyly shell-games its truer purpose as an inquiry into the construction -- and deconstruction -- of fiction. Scratch deconstruction: Make that tear-the-house-down demolition.